Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by CL Bledsoe

Analogy

There is a man who comes into your room
and punches you in the face every time you

smile. If it's dark, he leaves it dark. If it's
light, he complains of the smell. He never

sleeps, or perhaps he always sleeps except
when he clomps up the stairs, yanks

the door open, and shares his closed-bud flower.
The few teeth you have remaining taste

like iron and rot, though you can't afford
to have them capped. Now say he doesn't hear

the furtive creak of parting lips, but rather
you've got a perfect, delicate string, woven

from the baby hair of your most fervent hopes
tied to your finger, connected to a thin

silver bell, and every time you feel joy surge
within your face, you twitch that finger, pulling

the cat's tail, summoning the beige bringer of fists.
Maybe you feel rage each time he punches. Maybe

you believe it's his will, it's your fault (you did
ring the bell, after all). Maybe you plot

that you'll forego all joy, shed all appeal,
and can't help but smile at the thought of it ending.




Grab Ass

I wonder if you're dead and buried in a short
coffin, beef-jerky muscles wasted on meth
and misanthropy, daddy's money long spent.

Was the aroma of Ben Gay and rot in the air
while all the ex-footballers cum used car
salesmen wept quietly in their hand-

kerchiefs thinking about the glory days? I wonder
if your cheerleader wife stayed when you lost
your hair. When you got inside her, was there

anything there? Did you even win your blond
medal? What a waste you were. Timmy,
you hated me because I saw through you

to the void where your soul should've been,
and I knew, no matter how fast you ran,
you'd never outpace it. But all I had to do was wait

to get past you. Timmy, I hated you because you ruled
the world from the inside, because you always won
even when you needed to learn how to lose.




Blues for Salinger's James Castle

What were those boys doing in your room
at Elkton Hills that could drive you

to jump from the window? You had
to know those stone steps led only

one way. Nancy-boy in a borrowed
sweater, broken body no one but Mr. Antolini,

the old drunk idealist, would touch. Privilege
is never punished for maintaining itself.

Did you know one of those boys, ex-governor
of Massachusetts, would run for president?

He was from a different school, but they were
the same steps that were soft, only, for him

and his. Governor's son, he saw a boy with long
blonde hair, led a mob to hold the boy down

and took scissors to him. He saw a whole country
of long-haired sweater-borrowers and raised a mob

to hold them down while he cut. James, did you see
that coming? Is that why you jumped?


CL Bledsoe is the author of the young adult novel Sunlight; three poetry collections, _____(Want/Need), Anthem, and Leap Year; and a short story collection called Naming the Animals as well as five forthcoming books. A poetry chapbook, Goodbye to Noise, is available online at Right Hand Pointing. Another, The Man Who Killed Himself in My Bathroom, is available at Ten Pages Press. He's been nominated for the Pushcart Prize five times. He blogs at Murder Your Darlings. CL has written reviews for The Hollins Critic, The Arkansas Review, American Book Review, Prick of the Spindle, The Pedestal Magazine, and elsewhere. CL lives with his wife and daughter in Maryland.



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