Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Lyn Lifshin

Cunt

a little cave to explore
you come out happier
for having been there

with its beard around
the words you've been

wanting  a flower  rose
petals opening hallway
you didn't know had so

many different rooms
all of them welcoming

you a glove saying
very good and shaking

sweet apricot half
with a moist place
for your tongue

a furry mouth with
its own tongue

space there's
always more room
in as it gets
more crowded




Cucumbers

the more you
pull them the
more they grow

the bumpy
places smoothing
out as they get
long and bigger
some people won't
eat them until
the skin's off

I like them
small and sweet
tho I've a friend
who prefers the
huge ones

bake them in
a cream sauce

under the leaves
they come over
night but you

can only hold
so many in
your arms




Mustache

I was thinking
of it this
morning, those
marvelous hairs that
curl around your words

and how they smelled with
frost all over
in the mountains

And yes especially of that
time on the floor
looking like the
middle part of a thick
leggy bug I could

just see
above my belly, moist and
floating up
asked

is this
making your blood glow


Lyn LifshinLyn Lifshin has published more than 120 books of poetry and edited four anthologies of women's writing. Her poems have appeared in most literary and poetry magazines and she is the subject of an award winning documentary film, Lyn Lifshin: Not Made of Glass, available from Women Make Movies. Her most recent books include Barbaro: Beyond Brokenness from Texas Review Press; Persephone from Red Hen; New World Press published Desire and just published All the Poets (Mostly) Who Have Touched Me, Living and Dead; and All True, Especially the Lies and Tsunami as History from PoetryRepairs.com. New York Quarterly books will publish A Girl Goes into the Woods in 2012. Two new books appeared in July 2012: For the Roses: poems for Joni Mitchell from March Street Press and Knife Edge & Absinthe, the tango poems from Night Ballet Press. Her web site is www.LynLifshin.com.



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