Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Marc Vincenz

Twisted

Each year another tribe
is assimilated into the dominant genome,

where once there were thousands, millions,
now there are only a handful; and languages

once spoken, are no longer heard
even in memory. There had been

three hundred species of potato,
now only five are bred and sold—

all in the name of efficiency,
underpinned by planned economies of scale.

Soon there will be merely one singularity,
ripely thriving in its similarity,

and history is twisted
into little more than a bent afterthought.




The Vibe

Those molecules of sense and suggestion,
             known by some as a residue of the dead,

                          may arise as the tincture loses its light
                                       at the end of the curve; not a dark matter

                          but a matter of serious repose:
             an inevitable consequence of the microcosm

where apparently all semblance
             of modern mathematics

                          looses rational bearing
                                       and the bear comes out of hibernation.




The Red Underpants (Not to be confused with The Red Violin)

Well, they were just hanging there.
What else would you expect me to do?
especially when I'd known he'd worn them,

even more so when a breeze caught that lace edging
and it fluttered ever so lightly, and that image
came to mind—something I had seen

in an Attenborough documentary for the BBC.
It was some kind of weird-looking squid-creature
pulsing his tailwing against the black night of deep sea,

and he stared through the camera
right at me with his one single eye
and I swear he had a dirty look on his face

just like an Amsterdam-window-front-lady
enticing me into her plush boudoir.
Anyway, there they were, frilly and lacy and red,

and just caught with a dappling of breeze
so I slipped over the fence—there was no one at home—
stripped down to my buff and slipped them on.

O how they felt on my bare behind,
like angels caressing my cheeks
like heaven cupping my balls,

But just knowing I wore his underpants,
his frilly, red underpants, and knowing that somewhere
from far up on a rooftop, someone,

perhaps one his own bodyguards
was watching me through a pair of binoculars
made my spine tingle and my skin goosebump.


Mark VincenzMarc Vincenz was born in Hong Kong to Swiss-British parents. His poems and translations have appeared extensively online and in print, including Washington Square Review, The Bitter Oleander, Canary and Poetry Salzburg Review. Secret Letter, his translation of Swiss poet Erika Burkart's poetry collection Geheimbrief, is forthcoming from Červená Barva Press in 2013. An English-German bi-lingual collection of his poems Additional Breathing Exercises / Zusätzliche Atemübungen is to be released by Wolfbach, Zurich (2013) and a collection, Mao's Moles, is to be released by NeoPoiesis Press in 2013. Marc is Editor-in-Chief of MadHat Press and Mad Hatters' Review, and divides his time between Reykjavik, Zurich, Berlin and New York City.



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