Chapters Twenty-Three through Twenty-Five of sLAsH by Bill Berry
Mieke's Ladder: Gabriel Ricard reviews the book and interviews author A. R. Lamb
Unlikely's Musical Year-End Review
Five Photographs by Peter Schwartz
Six Digital Paintings by Jeff Crouch and Diana Magallón
:the game: by Nicklaus Liow
The Printable Version of Anonymous Gun by Kurtice Kucheman
Sam Vaknin on the role of central banks in banking crises
Is There Such a Thing As Society?: by Aseem Shrivastava
Robert Weitzel on Focus on the Family's description of Obama
Elisha Porat remembers starting out as a poet
Jonathan Penton compares Hannibal to Tom Bradley's Lemur
Poems in Amsterdam by Louise Landes Levi
Beside the Grave Hole where We Laughed in the Sand: Poetry by Goitsione Mogomotsi Mokou
Two Poems by Anthony Liccione
Two Poems by Nathaniel Ogle
Three Poems by Lyn Lifshin
Three Poems by J. D. Nelson
Three Poems by David McLean
Two Poems by P. A. Levy
Rabbit Stew: Fiction by Rainbow, Jonathan Simonoff, and Dirk van Nouhuys
The Burial Case: Fiction by Peter Schwartz
Prune Hands: Fiction by Sally Weigel
An Evening with Somatotax: Fiction by Ryan Undeen
An Excerpt from Love Spell by Marie Kazalia

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Candace's art is heavily influenced by Mexican folk art, the self-portraits of Frida Kahlo, flower paintings of Georgia O'Keefe, works of Edvard Munch and the woodblock cuts of the German Expressionists. Her work explores the seven deadly sins, escapism, the solitude of the desert southwest, the glory and gore of ancient Mexico, the whimsical and macabre atmosphere of the day of the dead festival and the serenity of the sunset. Recentlty she has become obsessed with waterlillies.

Candace has a BFA in Fine Art from Bowling Green State University. She is a graphic artist for Custom Deco LLC. Her work is drawing, painting printmaking and paper masks.