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Adeena Karasick is an internationally acclaimed and award winning poet, media-artist and author of six books of poetry and poetic theory: The House That Hijack Built (Talonbooks, 2004),The Arugula Fugues (Zasterle Press, 2001), Dyssemia Sleaze (Talonbooks, Spring 2000), Genrecide (Talonbooks, 1996), Mêmewars (Talonbooks, 1994), and The Empress Has No Closure (Talonbooks, 1992). Her books are marked with an urban, Jewish, feminist aesthetic that continually challenges linguistic habits and normative modes of meaning production. Her writing has been described as "electricity in language" (Nicole Brossard) and "plural, cascading, exuberant in its cross-fertilization of punning and knowing, theatre and theory" (Charles Bernstein).
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