"Electric Spaghetti" and "improvise"

for Jimi Hendrix

Electric Spaghetti

coils out of his Blonde Fender Stratocaster
conjured from plates of sorrow.
His musical fork
wrings-it-up-into-a-swirl.
Jimi feeds me with his hands
and teeth strumming, streaming.
His Purple Haze became my breath, my flesh.
Star Spangled Banner sizzled —
igniting the world with flames
from his guitar. Jimi flipped the Strat
over, reversed the strings—
heavy bass on the treble side. He slides
into a Voodoo Soup that blazes
along his fret strings, Little Wings
riffing out through a fuzz box rocket
to a blazing funk.
He kneels down
sets his lover on fire.
Strings pinging off—
sparks. Seattle blue fretting away
biting its nails till it can’t play
strings, the pressing stings.
Jimi says, Excuse me while I kiss the sky…
Hey! You kiss back?

Our mouths become a riff.
The back of his neck smells of lyrical ink.
I stumble on his grooves—
fall asleep in his warm legato.
He cooks me breakfast the morning after.
Pours firewater in the mix.
Says, Only death is proof of life.

I clink my distilled heart against his—
                                                                            hand           him
                                                                                                              his
                                                                       astounded
                                                                                                                      guitar

 


 

for Miles Davis, George Russell, Bill Evans, Cannonball Adderley, John Coltrane, Wynton Kelley, Paul Chambers and Jimmy Cobb

improvise

that’s what i’ll do
with my broken
time

turn up jazz
relive the birth
of the cool

that bebops
into my life

chord changes
were a compass

patterns point us
to the phrase

lead us to the bar
so we can hum
along with ballads

pour our blues
into a glass
tastes good
feels good familiar

wanna get creative?

throw the compass out the window

  for
a
   change

dance
   in
   Flamenco
 Sketches

Without this Kind of Blue
I’d no longer be me

all those notes
                    shaken out from mouths
                  of trumpets

plucked from strings
       of double bass

floating from reeds
       of saxophones

chimes from keys
     of pianos

cymbals and snares from sticks
of drums

you’re free to explore—
     to do anything
as long as you know
           where home is

And if you don’t always know
                   where you’re going
             So What

 

 

Alicia Mathias

Alicia Mathias writes and lives in Syracuse, New York with a Scottish Fold feline named Zeppelin. Her poems have recently appeared in The Bitter Oleander.

 

Edited for Unlikely by Jonathan Penton, Editor-in-Chief
Last revised on Monday, July 2, 2018 - 11:40