Unlikely 2.0


   The "music of decline" had sounded... its reverberations faded slowly out over decades; its throbbing could be heard in the corruption of the schools, periodicals, and universities, in melancholia and insanity among those artists and critics who could still be taken seriously; it raged as untrammeled and amateurish overproduction in all the arts. —Hermann Hesse


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Recent Articles:

Chapters Ten through Thirteen of sLAsH by Bill Berry
A Discussion with Tim Barrus and Mary Scriver by Eavan O'Callaghan
On Tilting at Windmills: A Short Film by Tim Barrus and the Students of Cinematheque Films
Tom Bradley's video reading from his novel, Lemur
An Excerpt from Simon Friel's novel, Murmur
Molasses: Fiction by Heather Palmer
Oil Babies: Fiction by Sophie Chamas
A Blast Chorus: Fiction by Nathan Lee Smith
Denouement on K Street: Fiction by Maureen Griswold
A Selection of H'our Dourves by Ryan B. Richey
Hogeye Bill on patriotism as the antithesis of peace
Mickey Z. on the origin of belief
A Defence of Religion by Iftekhar Sayeed
Timber Masterson's improbable memories of Leave It to Beaver
Nine Digital Paintings by Peter Schwartz
Nine Altered Photographs by Amy Kohut
Saladin in the Dragon: Poetry by Ryan Undeen
Two Poems by Ānanda Selah Ösel
Two Poems by Martha L. Deed
Two Poems by Robert Louis Henry
Three Poems by Cynthia Ruth Lewis
Three Poems by Sean Patrick Hill
Three Poems by Luis Cuauhtemoc Berriozabal
Three Poems by Chris D'Errico
Three Poems by Louise Landes Levi
Spoken Word by Barry Wallenstein with a Tribute by Eric Smiarowski


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Peter Schwartz


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Peter SchwartzPeter Schwartz is a painter, poet and writer. He's also an associate art editor for Mad Hatters' Review. His artwork can be seen all over the Internet but specifically at: www.sitrahahra.com. He's had hundreds of paintings, poems, and stories published both online and in print and is constantly submitting new work as if his very life depended on it. His last show was at the Amsterdam Whitney Gallery in Chelsea, New York City.


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