Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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two poems by Wendy Taylor Carlisle

Home

Noon, Sunday and a dozen regulars under 20 TV’s
tune in to soccer at Club 199, Mt Olive, New Jersey,
home of cheap lobster and lager and the Sunday crowd, regulars
who, without trying, remind me how easy it is to disappear
out of life, how you have only to choose one star,
one plane from the perfect planes on the tarmac
of the airport in Newark where the monorail’s blank

face reminds me of vanishing and where the baby
in the back seat sobs like she had a pin in her. We’re all fed up
with the dirty public floors and the news and the girl guard
with the metal detector wand who makes us take off our dusty boots
for her closer inspection but there’s war afoot
and all I can do as an airport patriot is to shut up and step out
of my ropers and not be suspicious of my fellow travelers

or question the voice that hums under the cello on the plastic
headphones, the voice that doesn’t instruct us
how to buckle up but to stay the course
even if we're blown out of the same tight boots
we so recently shucked. Where
does a voice like that come from, taking over
the airwaves between our ears, diverting us from the sight

of clouds piling up over the wing of this jet,
this gemutlich flying room, the mystery
voice that explains and explains and comforts us with lists
of places to stay away from, people to dismiss
but never says that all of us in here are tilting,
rising, away from the Hudson and the barrens, the ballgames,
the regulars, the wetlands and the pines.




Kaput

I can just make out ‘beatnik,’ jammed in the back
of what I still call the ‘ice box,’ its delinquent expiration sticker
out of sight behind the Jell-O salad and the moldy fondue

Each day some part of our speech gets to the precipice
and tips out of the collective ken—yet another noun
that’s ‘left the building’, itself a cliché ‘going dark’ too soon.

But do I mourn these losses? No, Dude, I move on.
I mothball. I retire. My aim, linguistic slaughter. Outworn

language should be shucked from the collective
mouth, lost like ‘zoot suit.’ and ‘Okey dokey.’
War and exorbitant national debt? Last season. Trite.

they 'get your goat,’ We answer, 'See you later,alligator',
then stamp their sell-by date, November.


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Wendy Taylor CarlisleWendy Taylor Carlisle lives in East Texas with her husband, three cats and a very large Rottweiler. She has published both in print and on-line at sites like Riding the Meridian, Poetry Magazine.com, Conspire, The Astrophysist's Tango Partner Speaks, A Writer's Choice Literary Journal, 2River, Tinturn Abbey, Sarasvatzine, The Salt River Review, Mystic River Review, Gravity, Zuzu's Petals, and The Texas Observer. Her book, Reading Berryman to the Dog, is available from Jacaranda Press.