Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Autumn Leaves
by Martha L. Deed

We ate breakfast with our plumber
the other day in our kitchen.
We had called him to fix a pipe.
Angels and devils chattered in it day and night.
They argued over who was in charge of our house.
And why we were fighting in Iraq and Afghanistan
after the hostilities were over.
We didn't mind the domestic arguments.
It was the political discussion
that drove us mad.
We told them to take their fighting
down the street to Hooligan's Bar
or to the UN
but they wouldn't listen.
Their debating was keeping us awake at night.
Ted Koppel couldn't shut them up.
So we called the plumber.
And he came quite quickly.
Must have thought it was a big job.
But it wasn't. He said
we could have done it ourselves.
Something about bleeding valves.
He seemed miffed
that he had laid out his Wall Street Journal
on our floor for almost nothing.
He would teach us so we wouldn't bother him again.
How to silence angels and devils
with a phillips screwdriver,
a dime,
and the Wall Street Journal.
His minimum charge was for an hour's work.
The pipe took fifteen minutes.
He advised us to invest in bonds
in this low interest high risk economy.
He said Bush would not have had to fight this war
if it weren't for all the bleeding heart
liberals and their gay children with their SUVs.
A good gas guzzling rear wheel drive pickup
truck should have been good enough for them.
It was for him.
All that gas keeping our economy moving toward peace.
He drank his coffee black.
In a rage we beat him over the head
with our dead calico cat named Maud.
He took the two Ben Franklins
we slipped into his pocket
under the table.

We watched the leaves fall from our maple like large yellow snowflakes.


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Martha L. Deed lives on the banks of the Erie Canal in North Tonawanda in a house whose crises and misfortunes cause poetry to be made. Recent publications include: Milk, Shampoo, Stirring, Moria, nthposition, Gypsy, Edifice Wrecked, and web art collaborations with Millie Niss in The Iowa Review on the Web and elsewhere. Her website: www.sporkworld.org/Deed.