Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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three poems by Marie Kazalia

drinking coffee at 5:30 PM

inside Cafe Trieste
to wake myself up from the too early wine
drunk at an art exhibit opening
I worked selling photos for no commission—
one big bottle of white wine
a small bottle of red to carry home—
free lunch & plenty of cheese & crackers
plus promise of dinner tonight
at the photographer’s apartment—
all the compensation I get—

my own rent just went up
and my black dress ...
sweat-smelling already
before I put it on this morning...

the photographer splashed white dip
on the front of me—
didn’t offer to pay for the cleaning

people at the opening—his friends
treated me like an accouterment
not a real creative person
or a human being with an intellect
“you are so attractive...”
about all anyone ever says to me
I’ve been bemoaning
the constant effort I must make
to reveal the contents of my mind
(should I, or not? How best...?)

“people underestimate you...”
Joe told me a few times last nite
“I know...” I replied, “I’ve been dealing with
that, all my life...”
thinking, starting way back—that probably,
as I got older—-change would occur—
I’ve naively been expecting—anticipating even—
that i’d receive more respect as a mature woman—
but that hasn’t happened yet(and probably never will)

one good thing to come about
with the passage of time
the gaining of experience
is that I’m a hell-of-a-lot tougher now—
and I’m ready to kick-ass
to deal with the double standards
that used to seem so insurmountable
as to make even gutsy-me
feel weak and small—




the ambivalence of gift exchange

she smears red Chanel lipstick
on her fingers     tapping her lips
fake-yawning
as I spoke to her
across the barroom table

she’d sat the glass of white
wine down
For me?—she’d paid for
carried over from the bar
I hadn’t even ordered

she’d come seeking a reunion
I hadn’t asked for

she insisted upon

to give herself further opportunity
to behave badly

giving me all the wrong things

annoying me into giving her attention

but these ploys of hers
did not work on me
in the expected manner

instead, induced me
into avoiding her
even vehemently

I just had to...




Suicide is a disease of singularity and selfhood

and so the most disturbing part
of my hallucinated memory returns to me
swimming black out of that moist cold
haze of intoxication recalled
(I’m not intoxicated now)
his concern for me
—words in blind void heard—
no lip movement (could not see)
him telling me how I looked like
the woman in the Bukowski film
“Tales of Ordinary Madness”
—my toughness—- really vulnerability—
disconnected from the controls
placed on others
by general society
with no one—not even her one true love—
able to really understand her individuality
her need to be free,
a full person, regardless that she’s female—
and how the world thinks about her
as that—
men wanting only to use her body,
her love—to make themselves
feel good—about themselves
not her
no other woman befriending, really
always judging her with calculated envy
she the most vulnerable to suicide...

during the course of their conversation
he confesses feelings and understanding
in cryptic entrapping euphemisms

she offers counter explanations
causing her to realize
her vulnerable condition

in a flash of deep insight

she causes him to see
what his feelings disguised
from his inner vision, until just then—

her fragile state of mind...

“So suicide is a disease of singularity and selfhood...” William H. Gass, The World Within the Word


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Marie Kazalia was born in Toledo, Ohio but has lived her adult life primarily on the West Coast and in San Francisco, with the exception of four expatriate years in Japan, India, and China. Marie has a BFA degree from California College of Arts and Crafts. Marie’s book of poems titled Erratic Sleep in a Cold Hotel has been published by Phony Lid Books. Marie also has two mini-chapbooks published by CC Marimbo: All-Purpose Tragedy and Megalopolis.

Marie Kazalia’s poetry and prose has been widely published in anthologies, and in numerous print and on-line journals, nationally and internationally.