Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Dog Days
by Robert Levin

I wanted to be invisible. Out of nowhere, with, I swear, nothing in my history to predict it, I'd done something people regard as sick and disgusting and I wanted to disappear.

I should say that at first I wasn’t so sure what I’d done was all that awful, and I certainly didn’t concur with the character judgment implicit in such a definition. It didn’t seem in my case to be fair. I felt this way because I’d always had an exceptionally inquisitive mind, a mind that, forever in search of the deepest truths, often compelled me to challenge things (the assumption that boundary lines in nature are fixed and inviolable for example) that others never questioned. And that was a good thing, right? What’s more-and who would argue with this?-when you call your dog “Maureen” you're clearly asking for trouble. And not only that, hadn't Larry Flynt confessed to the SERIAL RAPING OF CHICKENS without suffering one iota of damage to his reputation?

But I stopped protesting pretty quickly. It was impossible for me to deflect for long the look on the face of Maureen's owner (and my now erstwhile girlfriend) when, on the evening in question, she came home unexpectedly early.

Preoccupied, and with the stereo at full volume, I didn’t pick up on the fact that Annie was home until she was suddenly big in the room. Maureen, I realized afterwards, was aware of Annie’s untimely return before I was. I saw one of her ears rise and I saw what I also understood later to be a look of apprehensiveness on her face as she turned it towards me. But her countenance being open to several interpretations at that moment, her heads up went right by me.

In any event, I hadn’t seen the expression on Annie's face since my mother caught me barfing into the family “Important Documents” chest when I was five. The horror it conveyed seemed in its breathtaking proportions to have issued from the gods themselves. No, try as I might I couldn't deny it. Diddling Maureen had been an egregious crime that was in no way mitigated by the fact that it was, for me, unprecedented.

And in the following months-and along with a discombobulated Annie's exclamation: "My God, she's just a puppy!" echoing in my head-I was seeing similar expressions everywhere. No one was liking me anymore. In fact, no one was liking me anymore for shit. Total strangers I passed on the street all but recoiled at the sight of me. And the dogs I encountered weren't so glad to see me either. Straining at their leashes, they growled deep guttural growls when I walked by them. Were guilt and shame working their poisons on my psyche or, in the latter case and in ways we've yet to appreciate, were dogs able to communicate to one another, and over great distances, the indignities humans perpetrated on them?

In all kinds of torment and confusion-what could possibly have dispatched me to such a forsaken place?-I spent my days scouring my brain in an effort to uncover the reason for my disgraceful behavior.

Had the philosopher in me simply chosen a less than auspicious moment to take the leap from rumination to hands-on investigation?

Had I been trying to tell Annie something? Our relationship not going so well had I been saying to her, "See? This is what happens when you deprive a person of sex."?

But nothing I could think of rang true for me. All I knew for sure was that I'd become, say it, a bona fide pervert.

As you can see, I very much needed to get out of this dreadful situation and the first exit I thought of was suicide. But while destroying my body, which was making me much too noticeable, was certainly an attractive idea, a large problem that I have with dying discouraged me from acting on it. I'm not trying to be funny. Transforming into something comparable to what Maureen might leave on a curbside is a prospect that weighs very heavily on me. In fact, to make it hard for the gods to find me when my time comes, I've endeavored even in normal circumstances to not stand out too much, to be, you know, as anonymous as possible. (This explains the "C" average that I've steadfastly maintained throughout my life.)

And if there's any substance to the reincarnation thing and the immortality it promises, suicide posed a very serious risk. The gods, everyone knows, tend to frown on people who take their own lives, no matter how wretched their conditions may be. That made it unlikely- especially after the way I’d comported myself this time around-that they’d send me back as anything better than a water bug or dental plaque.

Passing on suicide, I contemplated surgically altering my appearance or moving to another city. But these choices were cost prohibitive and the latter would also have involved a lot of heavy lifting, which I really hate.

Finally I considered going insane. Well within my budget, what this option offered was the opportunity to stay alive AND lose my body (my unrelenting self-consciousness anyway) at the same time. But to achieve a genuine psychosis-to, that is, retreat into the bowels of your brain, live in a world of your own invention and become completely oblivious to what’s going on outside of it-isn’t so easy.

I know because I really tried. Thinking that I could maybe connect to madness by faking some emblematic symptoms (and sufficiently desperate by now to chance still more humiliation) I ran a serious experiment. It was the middle of August and wearing a tattered overcoat-and with a week's growth of beard and my hair wild-I stood on a street corner and commenced to babble unintelligibly at various decibel levels. After a few minutes of that I shouted, "Fucking motherfuckers, I'm gonna break your fucking hearts and shove the fucking bits and pieces up your hungry assholes." Then I babbled some more and then, kicking and swiping at the air, I snarled, "PILLOWS! What else you asswipes got in store? The meerkats shat in your cereal shit? THAT crapola again? That-ha ha-GRANOLA crapola?"

But my face crimson with embarrassment all the while, my act (with its admittedly lame material) never stopped being just that and my self-consciousness was only heightened. (If I needed confirmation of my failure to accomplish my objective it was more than adequately furnished by a woman who remarked to her companion, "Must be some kind of fraternity initiation.")

So it was evident that even the fact that I was doubtless more screwed up than I knew I was when I realized exactly how screwed up I was, didn’t give me an advantage here. However odd the angle at which I protruded from it may have been, I was as mired in reality as anyone else. I mean, despite my preoccupation, I still worried a lot about real world things. I worried about losing my job. I worried about getting to the laundry in time to collect my shirts. I worried that I might have picked up a dose of heartworm from Maureen. And if that wasn't enough, I couldn't stop caring about what people thought. It was possible, in fact, that I'd come to care more about what people thought than Louis Harris and George Gallup put together.

So I could do no more than envy the real thing-those guys who've established permanent residence in a fissure between their cerebellums and their medulla oblongata. Yes, I know THEIR weird and terrible utterances can be, in their obvious authenticity, very scary and lead you to conclude that even in the worst of circumstances only a schmuck would want to take refuge in the kinds of worlds they inhabit. But long before my interest in the subject would become personal I discovered that if you were willing to pay close attention you could sometimes pick up indications that where they live is not without a recreational dimension. On one occasion I was actually able to make out in the background of a nasty mix of epithets, cacophonous outbursts and sundry other emissions, the strains of a tinkling piano and the clinking of glass and ice cubes-persuasive evidence, you'll agree, of a party in progress.

I wanted to try and find that party guy and see if I could get him to show me the ropes. But I knew that I had as much chance of prying instructions out of him as I did of getting the name of his caterer.

So what did I do?

What I did was contract a mysterious and devastating wasting disease that hospitalized me for a month. (The doctors-who ruled out heartworm right away-told me afterwards that it was actually "touch and go" there for a while.)

But if I was weak, frail and majorly constipated when I finally departed the hospital, I also, I realized, had something to feel very good about. It was something, in fact, that would turn out to change everything.

With every justification for allowing me to expire, the gods had seen fit to spare my life!

Now as cheered as I was by their generosity it was hardly lost on me that strings were attached. They were expecting me-there could be no other explanation for such a gesture-to make some major amends.

So wanting, of course, to remain in the gods' good graces, and certainly more than eager to redeem myself, if that was really possible, I thought long and hard about what I could do and finally came up with something I believed might turn the trick.

With the help of donations I opened an animal shelter.

Forget what you're thinking. I never went into the kennels. I functioned in a strictly administrative capacity-a role in which, as it happened, I was brilliant. Under my supervision the shelter quickly became a huge success and, sure enough, with each adoption of a mangy dog or one-eyed cat my Maureen burden grew lighter until, just like that, it was gone.

With that monstrous problem behind me I felt, as you can imagine, better than very good. But this wasn't the only reason for my high spirits. They derived as well from the even greater reward that my act of redemption yielded. In the delirium that develops from the certainty that you're pleasing the gods and earning their approval, you get to feel that you're atoning not only for the crime at hand but also for whatever you did to warrant the death sentence you were handed at birth. In turn you can believe that your atonement actually makes you eligible to survive your death-that it's your ticket to heaven!

This, you'll have to concede, is some spectacular shit and it occurred to me one night that it was right here that the answer to the question that had been bugging me might be found. Was it possible that I'd subconsciously set the whole thing up, that to create an opportunity for my ultimate redemption had been the reason for my dastardly deed-that I'd FUCKED A DOG TO GET INTO HEAVEN!

(I should note that I flashed on that after an evening of heavy drinking with a bunch of veterinarians. It came to me while I was crawling on my hands and knees up three flights of stairs, just moments before I puked on my welcome mat.)

Now I don't want to leave the impression that I was entirely free of issues. Although my guilt and shame had evaporated there was still something pertaining to Maureen that bothered me a little. Whenever I thought of her, I would find myself wondering how she'd, you know, rated me. If, you know, she wanted to see me again.

But male ego aside, I felt in all other ways terrific. And, indeed, when I was interviewed on Animal Planet on the occasion of my shelter's first anniversary, I was fully at ease with being visible, more at ease with it than I'd ever been before.

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Robert Levin has written in the past for the Village Voice and Rolling Stone. He is also the coauthor and coeditor, respectively, of two collections of essays about rock and avant garde jazz in the '60s: "Music & Politics" and "Giants of Black Music." Of his jazz writing Nat Hentoff said "Levin is a writer from whom I always learn something. He not only has a strong background in the continuum of black music but his writing also has much of the passion of the music itself. In a quick couple of lines he can make sharply illuminating connections."