Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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The Bar
by B. Z. Niditch

CHARACTERS:

A
B
C
D

SETTING: Dark bar; people are drinking.


A: I always wanted to know what it would be to be straight.

B: That’s funny; I always wanted to know what it would be like to be gay.

C: Just for a night I’d be lesbian.

D: Just for a thrill I’d be a regular gal.

A: You like a cup of regular coffee?

B: How boring.

C: We can all change faces.

D: And not be double faced.

A: I’d feel double crossed.

B: I’d feel like I’d be lost.

C: But what could be gained?

D: Or retained?

A: Or retrained?

B: I would remember if I changed.

C: You’re deranged.

D: Just strange. We are all strangers to each other.

A: And to our partner and our own sex.

C: And the opposite sex.

D: What roles we play…

A: And no one knows us, really.

B: We don’t even know ourselves.

C: Before or after sex.

D: It doesn’t matter. It’s all chat and chatter. All that matters is character.

A: Isn’t that what we are?

B: Not what we want to have or believe to be.

C: It’s a mystery, I mean, our own person and personality.

D: Or persona.

A: I’m more than my sex. I know that.

B: But you are in a body.

(C plays “Body and Soul’ on the piano.)

D: We have each other.

A: But for how long?

B: You’d think we were in hell or purgatory.

C: Do you think we are really living?

D: Speak for yourself.

A: I want to speak for others. That’s why I became an actor.

B: But what about your lines; the lines in your face?

C: Can I do anything about it?

D: Yes, this isn’t the Middle Ages.

A: For us it is. We approach it after twenty but we hide it from ourselves.

B: In mirrors of our breaking or making.

C: We need to have games.

D: Or change our names to disguise is not always wise.

A: It’s in the eyes.

B: What mascara, your soul?

C: Talk to me; it’s getting late.

D: I need a date, a calendar, something to write on.

A: A diary.

B: A fairy godmother.

C: A loving father.

D: A good mother.

A: I don’t want to fight the battle of the sexes.

B: You can’t help it; you’re human.

C: I feel something is being taken away from us.

D: No one can take our identity.

A: Our entity and nakedness.

B: Our humanity is being taken.

C: But by whom – the devil-may-care make-up man?

D: I feel lost; I need to feel another human.

A: I’m still here.

B: So am I; I need the bartender.

C: I’m disappearing; it’s getting darker…

D: Lights out.

(Bar goes dark.)


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B. Z. Niditch is a poet, playwright and teacher. His work appears in Anthology of Magazine Verse & Yearbook of American Poetry, Columbia: A Magazine of Poetry and Art, The Literary Review, Denver Quarterly, International Poetry Review, Hawaii Review, Prism International, France's Le Guepard, and the Czech Republic's Jejune. He will soon be featured in The New Novel Review. A new collection of his poetry, Crucifixion Times, has just published by University Editions.