Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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three poems by Belinda Subraman

Imagination

the redhead’s
a master
of exaggeration
flies to the hairdresser
in a hot air balloon
comments to TV cameras
on her daring attempt
at quick hair loss

with each scissor’s snip
imagines a pain
and blood flowing
thick rich
and red

emerging
from the shop
she flies home
in grief
carrying
a coffin of locks

and nothing
can cheer her
not even
the applause




Open Your Eyes

Wherever we send “peacekeepers”
there is no peace.

Emerging from bombed buildings
men carry body parts in blanket;
an arm of a young man,
the gray head of a grandma,
the leg of a baby,
all jumbled together, cherished,
as if needed bits
for one giant, cannibalistic soup
for starving humanity.
Body entrails drape in trees and clotheslines
where something nourishing and clean should be.
One man carries the body of a headless baby,
his arms outstretched as if offering
the remains to a cruel god.
A look of horror, disgust and disbelief
frozen on his face.
The same look on the faces of the dead
littering the ground. Numb cabbages.

The War, it is said,
Something about holy and God
and man’s sacred rights.
The War, what it is:
A devil’s feast.
Plenty of blood for all to drink.
The eyes of the dead
eternally open.




Sticking Point

I sit in our garden,
profuse with yellow tea roses
bursting through railings
attempting to hold them in.
Everywhere flowers bloom
in the comfortable coolness
and gentle breeze.
There is beauty here.
There is love.
I am happy
but there is a stick in my heart.
If I pull it out I will bleed to death.
so I carry the love
and try to live with the stick
and the pain
experiencing it all
simultaneously.
This is the edge to life,
being awake, fully open
and in love
with another human
who is beautiful
buts tells me he is numb.

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Belinda SubramanBelinda Subraman is a hospice nurse living in El Paso. She is the editor of Gypsy Magazine and the owner of Vergin' Press. She has published her poetry extensively both on the page and in audio recording, and her papers are archived at the University of New Mexico in Albuquerque.