Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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three poems by Lawrence Welsh

Crazy Horse

i’m broke
in the desert
hiding under rocks
and all i see
is hollywood
a nasty mirage
not west with
its pretense
and soft leather
strut but
sammy’s liquor
in the sewer
and the girl
next door is
buying cigarettes
and i gotta make
excuses why i’m
drinking again
and we figure
something went
wrong like i
forgot to
grow up
or something
and the headlights
are flashlights
for road maps
out of here
no one really
wants to stay
where you can't
breathe
but you
see helicopters
and crack cocaine
and hear gunshots
and walk to
sammy’s
and buy
a quart of
crazy horse
and stumble home
and listen
to jazz
on the stereo




Stretch

         juarez

back alleys
rule like rat mazes

         the girls frustrated
         at the darkened corridors

or maybe it’s their
ill-fitting hats?

they fling off

         and swear
         and roam

room to room
no one paying at

         club el gallito
         club pedragal

         club flor del valle
         club las pizcas

not a man
not a man

         they say

worth a shit
on this entire

         stretch




Candy

did you slip
on parquet
dance floors
and curse the pain
of a thousand nights

the music is everything
in locked away hollows
of shut venetian blinds
and a yardbird suite
of tomorrow

it’s all uphill
on a downhill slide
of prescriptions filled
in over the border
pharmacies

the pain doesn’t stop
but numbness
is the ticket
to black velvet survival

to suck on
loneliness
in shut out reality
is the place
for winners
when outside
is born to lose


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Lawrence Welsh's fourth book of poetry, Believing in Bonfires, was published by Pitchfork Press in Austin, Texas, in 2003. Lawrence Welsh's work has appeared or is forthcoming in more than 150 journals, magazines and anthologies, including The Louisiana Review, Hawaii Review, The Wormwood Review, Nexus, Chiron Review, Poetry Motel, Poetry Now, Pearl, Bogg, Flipside, Whole Notes and the book Das Ist Alles--Charles Bukowski Recollected. Welsh directs the Poetry Jam Project at El Paso Community College, where he teaches writing and literature. The poems published are from the book Rusted Steel and Bordertown Starts, 1999, Sundance Press.