Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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another father
by Ronan Barbour

sleeping in the afternoon beneath my window—
then I hear someone outside shout
GODDAMNIT

and look out the window
at a man across the street
standing by a silvery car

he’s bent to the car’s open window
and I hear him say to the backseat area: what did I tell you
that’s a
GODDAMN LIE you don’t HAVE IT
because you left it in your GODDAMNED CUBBY
now get out of the car GET OUT NOW no
STAY THERE you’ll stay inside because
I can’t take you
GODDAMNED ANYWHERE
and then he begins walking
            up the street
in the direction of the house
a few up from mine
where
there’s a lady
that provides some kind of daycare service

the man is tall and thin
has an exceptionally small head
with short black hair
receding in the front

pointed down as he walks
slowly

I think I recognize the look
and particularly
the sound of that man—wasn’t he out there
a month or so ago
leading a crying kid back to his car:
I work all day long and come back TO THIS
GODDAMNIT I asked you and then
I asked her and what did she say you were you doing

MIS-BE-HAVING
now I have to go back and APOLOGIZE
he said
now stay here and DON’T MOVE
I’ll be back to DEAL WITH YOU
I’LL DEAL WITH YOU LATER
and after the man left the kid in the car
had wailed and wailed
just
for him
and me to hear

yep
I think it’s the same guy alright, only
this time I don’t see a kid in the car
I don’t see anyone in the backseat
but I know he’s in there
somewhere
hunkering down between the brown seats, maybe, trying
to get small
become invisible to his father

the Man
who doesn’t see the funny
who doesn’t play
who slowly walks away—

he’s
the Goddamn Man

I watch the Goddamn Man walk out of view
and remember the terror of the word
            TROUBLE
as I stare at the silvery car
watching for the kid
waiting for a sudden arm or a sudden head
to rise
behind the back window
seemingly empty...

and here comes
the Goddamn Man
again
walking carefully
like he’s carrying a load of shit
in his underwear

he looks up at my window: an Ernie’s Bert uni-brow
poised to attack, then
at the ground
and into
the open window of the car
where he shouts some more
at the unseen passenger

the sound of his bark is enough to give my world
goosebumps
enough
to remember how my dad’s sounded
when he got angry at me—how sudden the earthquakes
struck to damage, though
thankfully
most of the time
he was not
such
a Goddamn Man

the Goddamn Man outside
turns his back to the open window
leans against the driver’s side door
and looks up at the sky
for a minute
before he lets his head fall back down
and begins another mournful walk up the street
to the daycare lady

I watch the silent silvery car a little while longer
and then
go downstairs
for another glass of water
and when I look out my window again
the Goddamn Man
is gone.


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Ronan Barbour says, "I've been writing a couple years and have had some poems of mine recently published in the small press, namely in Zygote in my Coffee and Literary Vision. I've also got a few poems forthcoming in My Favorite Bullet, remark, and Zygote. My stuff is mostly about experiences I have or thoughts that come to me while working part-time as a retail clerk."