Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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three poems by John Bryan

steps to alleviation

( 1 ) turn the radio
on
    ( 2 ) pass beloved
object from one
hand to the
other in time
with the
music
          ( 3 ) pace
in circular motion

( 4 )    one
           two
           three
           : mantra

                        : ( a dance )




The Plagiarists' Guide to the Google Galaxy

Too many poets
So little paper
Not enough trees

Imitation increases
The chances
Of a work being
Digested
Thus balancing
Food chains

SPAM:
Arrived today in my inbox.
My email address on The Net,
Even on literary sites chaste,
Is unprotected sex
When @ is not writ ' at '

MAPS:
made 20 copies
Cc. 20 people
Fw & Re:
To Sender




Portrait of the Earth

' the cameras of Voyager I on February 14th 1990, pointed back toward the sun and took a series of pictures of the sun and the planets, making the first ever ' portrait ' of our solar system as seen from the outside, from a distance of approximately 4 billion miles '

ME IS A POETIC PARTICLE
I IS SOMEBODY ELSE
ME IS YOU NOT THEM
US IS SOMETHING NOT ME & YOU
THEY IS OUTSIDE OF YOU BUT IN ME
I IS NOBODY'S BUSINESS

to whom it may concern,
please find enclosed natural NOISE:
surf, wind, thunder, birds, whales, and other animals,
contained on a gold plated copper atlas of a world; instructions
encoded on it's surface; canals, tributaries, craters, structures.
yours, earth.

needle to the genesis; soundtrack
16 - 2 / 3 revolutions per minute
sun disc orbits

ca
to
ngo ai nong

MY PLANET LOOKS LIKE I FEEL ON MY PLANET, dawning of the new enlightenment

not like the good ol' days
now when ( ? ) write ( ? ) need
to be naked lying on the floor
& defecating
enough to scribble ( ? ) lines
over the walls / it's what they must wear /
& fridge
not to mention on the faces of T.V. stars so
that ( ? ) poems will sililoquise to ( ? )
( ? ) remember a time
when all ( ? ) needed was a pen
& a brain for ideas,
now -
( grunt ):
another poem;
this one rather
painful to get out,
as the title forms a head
through the alphabet's sphincter
( I less constipated than M )
remember a time ... no ( ? ) don't, never ...
- who are you ?
where am i ?
who am i ( ? ) don't want toput my pants back onquite happy am ( ? )

PEOPLE & THEIR SNAPSHOTS THAT DAY, traces of. phenomenon ...

a couple run down
trying to cross a freeway.
accounts, as soon as faded,
described cars continuing to
drive past, callously mortal.
aged 59, this man's Adam's ale,
gushing The Great Flood,
& dried out there, on the road.
the woman taken to hospital,
loin's fruit bitter to digest,
choke scratchy the compost, bone,
from shattered pelvis.
the 19 year old driver
found not at fault
for this grinding halt ...
... why should he stop ?

THEN I SEE THIS PICTURE

4 racists of man enter the space race to see who can hurl the greatest amount of vomit. The TAIKONAUT is the first, he spews a cupfull that could be hurled into the atmosphere. Then the COSMONAUT has his go, spews up twice as much into a bowl that could spatter the moon. Then the ASTRONAUT's turn, spews up twice as much again into a cooking pot that could wage a battle beyond Pluto. Then the OCKERNAUT, as intrepid as Ludwig Leichardt's exclamation in urine to the hounding Aborigines, unflinchingly gulps down the entire contents of the cup, bowl, and pot ...

DESCRIBE WHAT I SEE

Retorts of mass destruction

so & no

they compliment
each other,
biologically & chemically

ANTHRAX: WHAT DOES THIS PHOTO OF EARTH MEAN TO YOU?
SERRIN: ISN'T THIS PHOTO OF EARTH TRULY SOME ' THING '?

shuts down your
sentences, their
arsenal gamut

the contradictory clouds of Neptune
lure the sentinels to death, inhalation
by gas, methane

battle beyond Pluto

THE ONLY SNAPSHOT EVER TAKEN
THAT FITS EVERYONE ON THE PLANET IN IT
kept my notepad,
on the table, every five minutes
expressing clarity's sudden surge
hewn from constant concentration,
the trick is to whittle down
before the end of it's imperative
to collide; the table's
legs spreadeagled, after impact
there's life, but not as my notepad writes it,
K - T writer's block.

THIS CLASSROOM PHOTO
OF EARTH

and all that's sothic / enter my time machine through the backdoor
your yard a platform the glittering
controls to activate by looking
diamonds buried dark in finger prints my ancestors
the lights they danced under moths
wings flaked
life li e f ( lesh or utures )
i not I
join the dots
colour by numbers
pantheons loosely stenciled
mythologized urban dawn;
these gods i cannot see
only their bright particles
as if ancient frescos
headbanging stars,

DURAN DURAN AND ME. RECORDED LIVE AT AUSSIE STADIUM 13 / 12 / 2K3


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'Dear John, stop watching TV - far too clever for your own good - please, blow out the candles on your birthday cake before you write to us again'.
—Richard Hillman, SideWaLK Magazine