Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Doug Draime

A Poem Speculating on the Mysterious Youth of Samuel Beckett

Beckett walked the
foggy boulevards
of Paris, weeping, crying
like a baby
like a teenage
sailor
from
Marseilles,
brooding on
cocaine and
codeine
shattered
to the core
over his beautiful and lost love
and he
added to the mix
a lot of Irish whiskey
finally collapsing
in the blackness of an alleyway
feeling
like his heart
had been pierced
by her pimp's
dagger
and the bleeding
would never
end.




What Jim Stark Really Meant in Rebel Without a Cause

No one's hands
are
clean
in the ageless
subhuman
web of
politics and
militarism
commerce and
acquisition
domination and
genocide

We are all part of it, Dad, we are all involved

No one is immune
to the fatal
afflictions
of greed and
tribal warfare
wherever
you might be
contemplating
peace
( or your navel )
in some
corner
of this
barbaric and dark
world

We are all part of it, Dad, we are all involved




Edgar Allen Poe and the Nightly News

The pendulum swings
not more than 6 feet from
my face, as the evening sun
goes down. In my heart and mind
I'm standing on
the edge of a pit
of sadness and grief and rage,
about to fall into
its fathom less depth . But, I find
the remote control
under the couch
and turn the television off


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