Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Ulrike Gerbig

The definite end of the American dream

Europeans just fall for it
This myth of feasibility
Of endless possibilities
Of freedom and equality
They ignore the big boy
Playing president
The soldiers sent to
Useless wars
The weapons hidden
In every second closet
They still follow
The false promises of
A nation
Held captured by prozac
A country
Where pills come in
Giant-size packs
To keep the zombies of
the modern work-ethic alive
They are swallowed by
The hand-full
Just like everything else
Including emotions
That are too big
To be easily digested
Europeans
Sacrifice themselves willingly
On this self-service buffet
Of the new world
They readily join the
Eat-as-much-as-you-can
Philosophy
Of gluttony and obesity
Nourishment
For the eternal conqueror
With the sexual hang-ups
Who comes, sees and triumphs
Then rushes home
To instant absolution
Dealt by bleeding heart
Radio stations and
False priests
He believes in God alright
Yet defies him daily
In his addiction to
Fast food, TV, antipsychotic drugs
His remedy against the
National lie
He readily preaches his
False freedom to the
Delusioned masses
Requiring entrance at
The borders of
His sham paradise
Where they still
Timidly wait in line
For the salvation from
The alleged burdens
Of their grave history




Frankfurt

City slick sluts
Screaming scents
Flash static nylons
Cheap lace
Chatty old women
Peddle
Free advice
Empathy
Sliced history
In old cider places
Under chestnut and oak
Gnarled as
Gold-encrusted hands
Multi-coloured
Snot-nosed kids
Graffiti
Freshly painted
Walls
Tags
Mark off
Stomping grounds
Clueless
Youngsters
Search
For identity
Brisk bankers
Dance around the
Golden calf
Worship
Multi storey office buildings
Eroticism of
Phallus probing
Smog-hazy skies
Silver birds
Criss-cross
This self-made
Metropolis
This blabber-mouthed boom box
Blaring music from Babylon
Sodom and Gomorrah
Rackety
Cheeky
Dirt cheap
Benevolence
Her spicy smell of
Petrol Money Sex
Permeates
My hair
My skin
My bones
Marks me off
As hers
Forever
This Babel of
Tabla sounds
Rip-roaring streets
Feverish crowds
Soundtrack
Setting
Staff
Script
Of the film
In which I
Play the lead.




Penthesilea 2005

I should find
Someone
To sew
My mouth
My cunt
Firmly shut

Another
Pandora’s box
Closed for good

Cut off my
Right breast
Numb my heart
And let me
Roam the plains
Alone and unattached
“She who cries silently”
My nom de guerre


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Ulrike Gerbig is a poet who lives and works in Germany.
Her collections, Every Woman’s Blues and Love in all the right places are from Lapwing Publications, Belfast.
Her work can be read in several magazines and e-zines like Hearts with Soul, ICP, London Art, The Poetry Kit Magazine, Photoaspects, Electric Acorn, Zygote in my Coffee, Pedestal Magazine, Dublin Quarterly, Voices, LitVision, Out of Order, Open Wide, Mouseion, Aestethica, and The Poetry Victims and in anthologies like Voices of Israel, 2004/2005 and In Our Own Words.
She was featured in Voices, Poetic Diversity, and the Poetry SuperHighway.