Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by David Krump

Romance

We had been dealing with it
through the horizon, then the croaking
feeling of nothing below the water
interrupting us.

I love your work, B, have all your books
and you ain’t gonna get ‘em back
unless you tell me, truthfully,
next door through the spaces between the years

beside the black juniper tree
a great fox is playing have no fear
on a drop top piano. Something
to that effect.

.

Explication A

He had used up all his periods,
the manuscript began to budge backward,
to bulge outward like the earth,

if the moon is our replacement
or worse: a marker for all the
creatures of the future. So, get yer—

.

Explication: for B

He was just heart and home, just sick.
All the voodoo language and old
customs of odd waters were tolling.

Sure, and it was romantic to hear the language
at the next table float off like an albatross,
to hover inside of him, and with what meaning.

The difficulty now is just the romance
can’t decide if this word on the menu
means tomato or pain of trees.




explaining world

—is when the littlest one asks where is the mother?
and moon I say and the other small one pointing out that’s
the moon
bouncing along the ridge as I drive the valley west.

Could it help if I yelp help! inside my head?
Could you please divide us in some better way? Optic
copters, pronouncing my dunce, say: good enough pitter-patter

to be here with the ludic basic music or the best
nothing better for miles and a podium moon resembling me
but if I leave the car like I’m on a time out, I’d return suddenly

with that same desire which is mostly a desire to kill myself
maybe just to see who I might meet: Baby Abe, buckets
of stones with wings, several spirits embracing in stasis.

Ah, they’d say, but I know they used to say O! then
they’d write something love something sea something
terrifyingly grand. And when I try: something in your teeth,

which is a start, but I’m betting the bitter-bitty
mad marauder inside that tulip bulb might be better
given all this giving away the best spots for blowing up.

Would my odds increase if I went Greek with this? Poli-sci-fi?
Does it help to remove my erotic middle like that?
Little void, eat up: me guvvy, me groove, me moon

mailbox in the heart. For safe keeping, I’m keeping my head
open, thinking one is fine, but the whole lot is the best
deal me out, Amelia. Out. Stop. Over and Ouch.

Maybe if this desire would stop communicating with stones.
Maybe if the ocean in my dreams would stop rushing, and foaming
and falling back on itself

like a rabid
dog on
a chain.




Harry Houdini on Ice

Another place at a similar time
See the moon
Trace your face
Fat brother of mine

                         On the frozen edges an incorrectly
                         Spelled last named apparition stuttered
                         Because it’ll burn your lips
                         When they cut your damn head off

But I said it then mostly to
Calm the wretched winter
And those that were so soon
To become dead leaf

Eventual as it all I became
Close enough to hit them with
Those break stones half dozen
In my parka pocket

If you need an outline to begin your report
I shattered the male swan’s thin skull
With a stone, precisely sometime grey and orange
Before sunset

                         In a blast of broken beat he flapped his starboard wing
                         In an icy omen
                         Wretched snare drum— I remembered nature videos

Blood pooled magenta on the frozen lake
The long hooking neck stretched itself down
Later after beef jerky and blue jay rum
The dead swan’s lover still circled him

As if the blood could be just brain tears from some pre-migratory slumber
She didn’t leave his hard white and blooded side
For one minute in two weeks
Then one morning, can’t remember the color


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David Krump's poetry appears in periodicals online and in print. Among them: Astropoetica, Blue Fifth Review, Colorado Review, Cricket Online Review, and Touchstone. He has received awards for writing: a winter writer's residency at Caldera, and The Florence Khan Memorial Award from the National Federation of State Poetry Societies for his manuscript Night is a Good Child. It'll be published in June, and all proceeds will benefit starving children in his belly. If you e-mail him, he'll send it to you for free. After losing the race for the Papacy 2005, his dreams are found on Ebay.


Comments (closed)

johnny Krump
2008-07-23 11:30:53

You should publish David Krumps Poems. Inasmuch as I love you're other poets...mr. krump is a doctor of the obtuse, and has fallen place to the dressing of my broken soul. His poems are genius...profound...and perfectly placed words of wisdom. One could grow in favor with god and man...simply by reading the many woes of David Krump. It makes me wonder late at night, as I cry in the shower with his new book "oranges and sardines," "my god. where does he come up with this stuff?" Then I drift off quietly to slumber between the sheets of bereft genius and missplaced dots...asking why...oh why...cannot you people the world...with poems.
By David