Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Dennis Mahagin

Feeling Minnesota

In the first floor bungalow
of the Mother's Finest Motor Hotel,
Lenny chews nails to the quick,
channel surfs, and listens

to the Russian newlyweds one floor up
who've begun their afternoon clockwork

fuckfest again on the big
overhead Bob Dylan brass bed--
making ancient springs squeal like
streetcar wheels straining
to crest Nob Hill.

The wall-mounted
Samsung in Lenny's room
shows an impossibly-young
Nick Nolte

hunchbacked and hobbling
across a Mojave arroyo
as he clutches a duct-taped,
blood-soaked loaf of heroin
in fullback's forearm
grip, grunting:

"hup!… two!… three!..." like

Neal Cassady
counting railroad ties
at the very hour
of his death.

When the ceiling starts to shake,
Lenny wanly rakes two-day cheek
stubble, and briefly considers

the nine hot checks he wrote

last week in order to float
a desperate Super Bowl bet he's
banking on to get him to Florida
for a reunion with his only
daughter he's met

like once

at the funeral of her
junior high school
band director,

and Lenny vividly
recalls the fog-shrouded
gravesite where, half-drunk,
he whisper-slurred at her:

"say now, what instrument is it
you play again sweetie?"…

And how these words had
double-crossed his daughter's
sea-green eyes

and streaked her cheeks the
deepest shade of red!-- though

he'd thought it only a felicitous
and fatherly thing

to say at the time

until retrospect began
running it through and
through his

track-marked mind
unforgiven.

***
On the Fox affiliate
channel eleven when
last he checked it
was third quarter,
the Vikings still
hadn't scored,

and Lenny
is starting to get
genuinely frightened
of what he'll find if
he goes there again.

Instead he
watches Nolte
die magnificently
on the screen,

as the credits start to roll with
the title theme by Credence
Clearwater Revival-- and Lenny

wonders if the Nolte
who made this movie ever,

ever glimpsed
his own spooky
scarecrow-in-a-
train-wreck DUI
mug shot while staring
a la Nostradamus

into the creamy-pink depths of some
smoked salmon pate on toast points
that the pig-tailed, bell-bottomed
Scandinavian Girl Friday would
deliver with Perrier come twilight
to his location trailer-- or that one day

he'd be more renowned
for this mug shot
than all the rest of his fine
life's work combined.

He clicks the flicker faster
and faster through channel after
channel with volume
maxed to match
the newlyweds

who are really
getting into it now,

and Lenny reminds himself
how forgers in prison they don't
hardly get to listen while men
and women make love and
that's just for starters and

oh, if only
he could conjoin

the Young Nolte,

and the
Mug Shot Nolte

like formaldehyde twins
grafted to the twitchy
double chin of
Edward G. Robinson

right before he shows his
queen-high straight flush
to a stricken Steve McQueen
in "Cincinnati Kid."

If he could manage
something like that,

maybe they could all
get together-- the Noltes,
McQueens, and Cassadys
comparing notes with every
Lenny he's ever been
in a long and sorry lifetime,

and maybe a couple
wannabe John Fogertys
would show up then

to sing off-key lullabies in
shrieking falsetto harmony
that ask rhetorical
questions about

stopping rain and
just who and
when and

then
repeated

for the benefit of the aqua blue
zygote on a pinhead of pre-cum
up there in the second floor
bungalow of the Mother's
Finest Motor Hotel-- because

every big bang
deserves a little bouncy
soap bubble song bridge
debriding the shopworn
rugburn accents on

Cheap Thrill,
Chemical and Special Effect--

which have never
proven to stop Time

any better
than the parents
are doing right
now, in this
instant,


and it is
difficult indeed

not to want to
pull for Lenny,

as he gargles on a snot gobbet
of apprehension-- thrusting his remote
control at the screen like duck-billed
zebra on fifty yard line making the
universal first down sign

when the Russians finally hit
their climax together

amid swirls of
ceiling-joist plaster dust
that rain down on
Lenny's eyes

squeezed
tightly shut

against the overtime
field goal on Fox
that has most
certainly

fixed his latest
fate-- but this
of course is

another story.




New Year's Greeting Recorded on the Hermit's Old School Answering Machine with its Whistling Spools of Cassette Tape

You who would injure me
with graduation tassel stitches
in polygraph pattern on the brow
of botched hair plug; you who

bring glossy jacket flap blurbs
and Valentine captions enfolded
in the secret sweaty
Frat Handshake,

indulge me for just

a moment while I take in the tableau
of mid-afternoon dusk through my
picture window where

a couple of
shrieking king-sized crows
in the skeletal backyard
birch branches

are having a taffy pull with the day-old
viscera of an electrocuted squirrel,

while the sky seethes obscenely always
at this hour the color of spent
charcoal being doused
by the dark… by
degrees.

Are you calling
my attention

to the shunned dwarf sycophants
in Hefty bag Klansman hoods
who've taken up sniper positions
behind the frozen power pole
transformers?

Is commiseration foremost
on your mind?

Do you sometimes get lonely enough
to wish a spectral shape shift

would allow you to crawl inside
the most natural jackhammer
glory hole in your sub-basement
cement wall and suck
yourself off until Summer?

Have you guessed yet
at the grotesque truth
of curdled eggnog

and insatiable cunt?

Then listen
closely for what
sounds next like a

cross-wired
dentist drill
sputtering on an
un-numbed
gum nerve

is really just me
wheezing through
the complex kindling nest
of scars on my lungs--

scored there,
each in turn,

over time by you-- and it's cool
to leave a message but I won't
be hanging out tonight due to

the Dick Clark Times
Square Glitter Ball thing
which I absolutely love to watch
alone so much it's become
something of a tradition
around here.




Pesky Southern Drawl Cluster-Fucks the First Annual Vegas Strip Inaugural

Beneath the Belagio
fountain shower of spastic
pundit spit deftly scented
with the scrotum sweat
of Paul Wolfowitz,

the man of the hour hideously wiggles
teapot ear lobes with nothing but
willpower and cheek,

while laconic Rolling Stones roadies
double-dosed with zoloft and methadone
stack the glass cases chock full
of writhing serpents

on a trapeze stage
guy-wired to the glowing
3D Seigfreid and Roy
knowing-gaze billboard.

Watch closely
as he raises his right hand
like an auctioneer swearing
oaths at 78 rpm and rising
in the foamy throes of
every snake handler's
rapture

and it goes something like:

"…Nam yo ho ho
ring gay quo no play al go
fair fee fo fi oh my homo
budaba bunkah da bustah ba
dub a ya widama sadama
bidama whaddya giv a ma
sadama bidama… Go!"

And by now
the bull snakes
are humping
his rawhide-chaps
harmlessly
as hula hoops,

while sopping wet women
crotch-clamp enumerated
glowstick mood-ring
fuck fingers on eager
musky wrist
swivel--

domino-swooning all up
and down the quaking aisles
of the heavy arid
amphitheater.

No matter
that his words sound like
Romanian revival gibberish
from a bullhorn shitting
goat cheese and rubber bullets,

it really is better
that we do not know

what the defense undersecretary
just did with a cattle prod
to the pesky heckler
in the catacombs.

The main thing to keep in mind?

Habeas Corpus is a swinging
country western line dance
nightspot on the Gulf Coast,

the next items up for bid
are Civil Discourse
and Due Process
in short order--

and you can
lean in real close
to try and catch what's
being said next but
it won't do a bit
of good; what

happens here
stays here
and it'll all
be over
before you
know it anyway.


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Dennis Mahagin's debut poetry collection, Grand Mal, is forthcoming from Suspect Thoughts Press. His work appears widely in both web-based and print publications. He lives and works in Washington State.