Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Four Poems by Joan Metelerkamp

And then on the horizon
from behind the dune
              two jackal buzzards

two parachutes  backwards
if you can believe me
              thermals taking them

from underneath
southeaster so strong
              parachutes floating   each

back into the sky
              holding them    easily
ecstatically –

no poems but of necessity
my friend said
              the one I believe

I was once in love with
poems
                            arising

from need –
who’s to believe him –
              who’s to say

who needs to notice this evening creeping
with the spring sun setting
              closer and closer

to the south
the angle of the lit dune thicket
               the clouds blown backwards

across the window
what’s necessary what we need, you, me
              what’s a parachute what’s easy what’s ecstasy –




Strangely
from out of fatigue           you come to me

concentrating, consciously coming
out of your skin

like in the middle of the gravel path
snake in the thick of the country –

tired, tatty, this city I visit –
the shit kicked out of it –

coming back along the walls
lined with electric fences

as if I’d come back from the Dead
no way to walk without wariness.

All my old friends getting on
with their own lives

as if they can’t imagine alternatives –
eight people in the whole of Pretoria

come to the reading –
wake to this strange suburb –

plane outside, new leaves blown weirdly like a gum –
so alone in the house who says I can even see –




You lay along the length of your body –
      like these Langeberge – lining up along the length of horizon,
 ridging behind
the wheat, the oats,
rebuffing unfolding fields –

under the keening trees I stop my car
      under the quick wind – quickly  :
      note   within the slope of your thigh
                 my sigh –

              so who is this stranger
              small pack on his back
              into the open
              into the sun
              here he comes now
              loose legs arms sleeves
              rippling along the empty tar
              as if everything were open –
              shall I call out to him shall I call
              to the ploughed stone
              the deep running of the nervous oats with the wind –


you unfolded your words
      like your shirt at my feet
              swept me off with them, taking my words, receiving,
running with them, rippling, like running
               beyond body
                            beyond words
only words
              running away from my body
as if     you know     you have no idea
what this means
as if to say                        where will it end




my god  :  you come up
              with the right stuff
every time

you come in my dream
              I come to you in fact
in a dream

and how I come  :
              your cock down my throat like a snake
could not have been dreamt

by any adolescent  :
              old snake of a woman’s
wide open throat

past childbirth past propriety
              snake of speech of course
way down the throat to where the breath comes

like bitter truth
              coming
like shock perhaps and far past effete healing –

this is not the tongue of split suffering
              not the dark night of anything
more like the dark itself opening

nothing to do with obsessing, thinking
              I need you I love you I want to fuck you
nothing –

(this is the dream the dream
              and you crying
joanie joanie like I am the tenderest)


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