Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Daniel Pendergrass

A very charming summer dress.

This the eagle’s announcement of Spring’s arrival.

Today let’s drink to everyone,

                         anything, even that,

             even God,

and the hope he will not save us.




Archaeology

Walking along a road,
in between stations,
the sun in your face,
no mythical crossroads here,
no mirage of intentions,
a distant figure gestured –
‘Follow me down’
and along you went.

It can be that simple:
a world was expecting you
at a certain time and place
but you were no longer a part of that world.
People wondered, those closest
those who never really caught on,
but no device of recall,
no pictures, no postings,
would return you
to that former, unhappy circumstance.

A thousand years on,
spade turned to shovel,
this episode unearthed
as a milk carton fragment,
Holmes turned to Watson
            – arms akimbo –
the eyeglass elongating that parcel
from a universe un-reckoned:
“This was a great culture.
“In this way they celebrated their famous people.”




Ghoul

Regret passed me by
             like the village men with their torches,
scouring the night for those shades of truth
which trouble their sleep.


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Daniel Pendergrass has work placed or forthcoming in Chiron Review, Van Gogh’s Ear, O.D. Mag, Shampoo, Miller’s Pond, and The Blue Mouse.