Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Charles P. Ries

This is Your Dream

As terrorists drag you out of our bedroom I shout from the
warmth of quilt and covers, “I should have married you!”
And, “I was wrong about everything.”

Shocked and realizing your death is imminent, you respond,
“I think your new hair cut looks swell, makes you look a lot
younger.” And, “Thanks for taking me to Mexico last summer –
you’re so dear.”

With black stockings pulled over their faces we see only their pale,
cold, blue eyes. They speak a foreign language of neo-conservatism
and politely wait for us to finish our final words before taking you
outside to shoot you on our perfectly landscaped front lawn.

When you wake, you are glad to have me spooned beside you.
Your usual annoyance at my snoring has turned to gratitude –
affection really. You kiss me awake and tell me how grateful you
are to have a liberal boyfriend like me.

Suppressed anger is often the target of nocturnal insurgencies.




Below the Floor

I live in the basement
beneath the footsteps.
The furnace whistles to me on cold days.
The washing machine hums to me at night.

My ex-wife lives one floor above,
10,000 miles away.
My daughters with wings
sail between heaven and earth.
Getting honey from the clouds
and iron from the brown soil.

My possessions are ideas.
My lovers names all rhyme.
My conquests are fictionalized.

The shadow side of home sweet home,
where a giant prowls naked
beneath the floor and ideas
grow during intercourse.




Dances with Butter Knives

They lost me in complexity.
The tribal leaders of poesy read on:

              The obsidian blade cuts fog blue
              blue whale, blue whale bone, blue sky,
              blue eyes, blue island.

              The obsidian blade cuts ragged edges
              along riverbanks, in the outline
              of drifting cotton thoughts.

Too many edges for me. Poets lost in
technique become dull butter knives.
Their spontaneity has turned into yawning
formations.

Soft hushed voices from the female readers.
Soft hushed voices from male readers.
Caressing their butter edged words.

I close my eyes. I follow them closely.
I open my eyes. I give them my all.
I fall asleep. I dream and see their words
wearing lead wings. Bad shoes to dance in.

I wonder, where’s their clown prince? The fool who
works at the car wash? The one who skipped his
PhD in literature and makes me feel lighter after I
bathe in his unwashed words.


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Charles P. Ries lives in Milwaukee, Wisconsin. His narrative poems, short stories, interviews and poetry reviews have appeared in over one hundred print and electronic publications. He has received three Pushcart Prize nominations for writing and most recently he read his poetry on National Public Radio’s Theme and Variations. He is the author of THE FATHERS WE FIND, a novel based on memory. Ries is also the author of five books of poetry. He is the poetry editor for Word Riot and he is on the board of the Woodland Pattern Bookstore. Check out http://www.literarti.net/Ries/ or write him at charlesr@execpc.com.