Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Luis Rivas

There Is a Bum in Sherman Oaks

three drops
of blood
dark red
as ketchup
upon a white
crumpled up
napkin

three shopping
carts filled
with plastic
bottles
clothes and
thick wool
blankets
behind a
bus stop

there is
a bum around
here
in Sherman Oaks
that alternates
her residence
from
the street
that the
Ralphs is on
to the
street that
the Walgreens
is on
and to
the street
before
Los Angeles
Valley College
next to the
L.A. River

she is
old and short
and skinny and
constantly
covered up in
a huge
puffy coat
luxurious
and silly
like a
royal robe
her face
hidden with
quiet dignity
like a celebrity
in disguise
almost shy
and absolutely
silent
most of
the time

and even
when she’s
taking to herself
ranting
with passionate
senselessness
in front
of the Ralphs
or the Walgreens
or in front
of the college kids
and the
L.A. River
she appears
sweet
and regal

and tonight
in front
of the
Walgreens
she was
bleeding
and I saw
it
under her
tiny
rustling feet

three drops
of blood
dark red
as ketchup
upon a white
crumpled up
napkin

her small
hands
protruding forth
from huge
sleeves
the trail
of blood
originating
from somewhere
passed her
palms

and the blood
dripping off
slowly
without pattern

more than
anything
I wish
to be wrong
to have
viewed things
improperly
to have rushed
to conclusions

more than
anything
I wish
for the bum
around here
in Sherman Oaks
to be
stronger
than me
and most
to be a
defiant
rebellious
non-medicated
insane figure

someone that
doesn’t get
sad and
overwhelmed by
the impulses
to want
to give up
and die
and that
more importantly
doesn’t succumb
to these
impulses

someone that
doesn’t need
a new car
or more money
someone that
is content
with what
was handed to
her
however rotten
and doesn’t
complain
someone
devoid of fear
and anxiety
someone that
lives
simply
and simply
to live

someone to
admire
and not pity




The Belly of a Trailer

standing waist high
in the belly of a trailer
with your work belt
dripping with sweat
in the industrial part
of Sun Valley California

the light bulb fading
on and off

the fan on
swirling, blasting the dry
hot, musky air

the boxed-in humidity
fogging up
your glasses

the 15-pound boxes
shooting down
the metal slide
zip code side up
half of the time

"JAHM ON DIRTEEN DOWR!"
the Russian zip code sorter
above you
shouts, indicating
to load faster
that the conveyor belt's
jammed with
backed-up boxes

standing chest high
in the belly of a trailer
at the back of
a shipping terminal
sinking
at the age of 19
scanning zip codes
and loading boxes
the future uncoils
in front of you
like a disengaging snake
revealing an idea
of deconstructing
truth

and you start
to think about
diabetes
early-age heart trouble
severe back problems
cancer
unemployment
unpaid parking tickets
the classes
at community college
you'll never finish
unpaid tuition fees
the degree you'll
never get
the red 18-year-old car
with the one gray
colored panel
over the right tire and
the cracked radiator
you'll always have
and never afford
to fix

standing neck high
in the mute surroundings
of your own creation
you look to the fan
and the flickering
light bulb
and watch the trailer's
walls come down
substituting the steel
with tall, quiet
bubbling fire

and you see
a perfect
starless night
above the tips
of the growing flames
and you
stop
to drop the box and
close your eyes
to accept it all.




To the Black Bum Missing an Eye on the Corner of Sunset and Crescent Heights that I Didn’t Give any Change to--

I am sorry
for not giving you
the 86 cents
I had when I
saw you
black and old
standing, shivering
without an eye
holding up
the wet piece
of cardboard
with illegible
writing
on the corner
of Sunset and
Crescent Heights
but the light
was green
and rush hour traffic
in Hollywood
is like an
insane and retarded
conveyor belt

and when the lady
in the SUV
stopped
at the same
green light
and gave you
some money
my guilt
was replaced
with something
else that stayed
with me throughout
the drive home
from work

going up Laurel Canyon
with the 5pm sun
breaking through
the smoky clouds
above the
San Fernando Valley
mountains
like a frozen explosion
I wish more than
anything
that you were
in my driver’s seat
looking at
this
seeing where
the rain is
falling and where
the rain is heading
sharing this
moment where
the only thing
that exists is
the pure essence
of humanity’s
potential

passing
Mulholland Dr
approaching Ventura Blvd
the rain has
stopped
and I see
a tall man
walking on the sidewalk
who just dropped
a pack of cigarettes
and another man
following closely
notices and
bends down
reaches for the pack
and hands it
back to the
unexpecting man
shocked by
this random act
of kindness

I look up
and see a brighter
red outlining
the shapes
of clouds
slowly moving
over the valley

and I think that
something is trying to
communicate an idea
of oneness
of how everything
from the black bum
missing an eye
to the lady
in the SUV
to the guy
handing someone back
a pack of cigarettes
to me and you
and us and them
how we are all
connected somehow
for some reason

and
in moments
like these
I could believe
in us.


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