Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by John Sweet

destiny

snow at the end of march and
the baby sick and
what i've been thinking about for
the millionth time is my
father's death

what i've been weighing are
my lack of options

the bills and the broken windows
and the door hung crooked

this pale grey light that
pours in through the empty spaces

these oceans we've crossed
just to slaughter the natives

just to build a nation of
fear and hatred from
their bones




a dream, inverted

and no one
calls sylvia a coward and
no one spits on bukowski's
grave

the dogs are hungry but
the baby isn't dead yet

the crucifixion isn't over

do you see?

the boy is sixteen

he has a gun and a
handful of reasons that end up
meaning nothing

he is somewhere between
who you were and what
i've become

asks do you believe in god?
but doesn't wait for
an answer

invents america instead

walks the length of it
with his eyes closed

enters the
house he calls home and
and opens fire




bombs in free fall

the children asleep and
the half-light of the hallway

the edges of objects placed
tightly against their shadows

no room for sorrow
but it exists

slips in through shuttered windows

crawls like the dying man
across this cold kitchen floor

like his wife into
her lover's bed

not betrayal but fear
or maybe they're the same

maybe this kid kills
just because he can

maybe it's easier than rape

more personal than war

his smile
just before he
pulls the trigger


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John Sweet has outlasted every small-press fad for the past fifteen years. He found a 3-CD set of Bruce Springsteen's essentials for $12 at Wal-Mart.