Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by M. Andre Vancrown

On the Navajo Road South

’67 Chevelle convertible
       candy apple red & spangled chrome
       —twin Barbies bounce shotgun out from Cali
no strangers to powerglide shifts
g-strings, chic
perfume of ganja & coconut
oil, liberal, sea-mist’d cleavage

       —a blow through Death Valley
hit Vegas in situ.
Circus Circus
downshift to cruise the Boulevard in shades
—got no patience for this fake bull-
shit town—
where the only viable culture you’ll find’s
in a prostitute’s
       pap smear fused like Chunky
Monkey to Ben & Jerry’s fork’d tongue.

Men and women parade our headlights
       in gaudy peacock processions
as a stale
c-note winks to fool’s gold, then crystallizes
into
       —a solid shade of past-due.

Neon turquoise & parakeet yellow
dazzle the bewildered
       iris, kick the chittering bitches
to the curb
& pump pedal to the metal
in a snappy blastoff beat, migrate south
       to blurred flocks of Azteca stars.

At Teec Nos Pos
take the Navajo road south into the heart
       of the White Mountains.

—3:24 A.M.
       lost in Show Low—
where Venusians must’ve crash landed to mingle
       with the local folk
       & buried their adobe Hobbiton
in the sand dunes.

A war council of stark peaks jag sky
       austere, wigged & powdered sentinels ring
       like dragon’s teeth buttressing
courtyard towns—
beneath a glassy pool of wheeling
       galaxies
—they roam—these mighty, earth-
bound cloud
       giants.

One way in, one way out
in Globe an electric sign announces
roads are iced solid, frozen
       stiff with no way in
& no way out.

There’s no help for it.

—Double back.




Sharks and Fleas

One love is lost
like the nip of a flea.

One, a Great White
chawing off legs at sea.




Julie Anne and the Snowman

I’ll never be free
this string of charcoal empties . . .


I wish it would burst
when you left you took more than just
the furniture—
and now . . .
All that remains is the stain of these missing
buttons
I’m a coat of ghosts . . .
rags whistling in the wind.

No hope?

Oh, you might recall . . .
It took me
a week to muster up the courage
but I floated it out there, a red balloon
sent off with a rose and ten thousand
muttered
curses—

Not a chance in hell, Mister.

But you called and we talked
and we laughed and I recited my sorry little poems
til your breath caught and I thought . . .

It could happen.

Then that first day—
We were the only two
to brave the walks of Brookfield Zoo
that deserted day, that wonderful day, in February.

Blasted by Canadian winds
and
I don’t recall how we
got in
but the snow was so white and so bright and it was so cold
it seemed like it done up
and froze the whole world
into a solid sheen of gray
like seeing through a sparkling
lens
wrapped
in
cheesecloth.

(Even
the polar bears refused to be seen.)


And we talked, though
the words
chattered like ice cubes and crumbled
in our mouths—
So we walked
while you tugged my arm
hung on, drugged me with your perfume
til we found
the
famous . . .

Baboon Island House.

Our second date at a suburban ice rink
watching hockey players
and
sipping hot chocolate—
Long legs, firm
and
scissor-kicking
in
my
fireman's carry . . .

Shrieking laughter at the garbage can.

But it was a month
later
in front of your sad
little rabbit-eared
tv
me watching
Dances with Wolves
(modified to fit
that screen?)
with
your head in my lap, fast asleep . . .

About four degrees too hot to relax.

When your breathing
changed
and (oh!) our hands met
formed an alliance and too quick
for the naked eye to follow
fumbled fast at slow zippers
and stubborn buttons
even
as
we
tumbled
wrestling
to the floor—


Until the sun came up and glittered on puddles of ice.


Now, it’s all crystallized
like water particles massed beneath
the surface, four years of living together bubbling up
like violet quartz
resolving
into
a
violent clutch
of
trillion-cut diamonds.

And suddenly I find
I can no longer afford these memories.

You thought I was indifferent
(I was just different)
You believed I took it all for granted
(but granted, you never asked)
You claimed that for men it’s all just sex . . .

(But you never saw the smile in my eyes
when I’d wake up
in the middle of the night
content
to feel that arm-and-a-leg draped over mine)


It's only now, years later, that I realize . . .

You were my close encounter with Virtue—
spied for a doe-eyed instant in headlights.

While I am but a snowman—
lost without the crooked carrot nose you stole.


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M. Andre VancrownM. Andre Vancrown works as an award-winning technical writer based in Chicago, IL. A writer since his late teens, his poems have appeared in a variety of journals in both the U.S. and U.K. He is currently peddling his first book of collected poems in the hope that it will add a dimension to his bibliography beyond the growing and illustrious list of pro bono accomplishments. For more information about the poet and his published works, please visit http://www.geocities.com/mandrevancrown.