Unlikely 2.0


   [an error occurred while processing this directive]


Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


Join our Facebook group!

Join our mailing list!


Print this article


Three Poems by Arlene Ang

To Colonel Mustard in the Billiard Room with the Wrench

1. Fifty bucks-if you tell me I'm right about you this time.

2. Schoolmates being what they were, it was nearly impossible to find a third player. My September '71 best friend had to grow different personalities from scratch. Through the years, they eventually intermarried among themselves and became known as episodes of Self-Service Wash.

3. Sportswearmanship: the courteous and admirable grace of someone in terry robe and sweatpants who is suffering a weeklong losing streak.

4. Even though I cheat occasionally, my clairvoyant skills haven't improved as well as my dice-rolling abilities. The distinctive flourish in my capital letter S, according to the handwriting analyst, pertains not to me, but to someone with a deep conceptual love affair with the Marquis de Sade; the words push and buzz are my limitations.

5. A weak affirmative is indicative of a bluff. When the opponent is female or thereabouts, yes is a strong indicator of my foot's on fire: you may not be the only one hiding under her flounced skirt.

6. Handling miniature murder accessories tends to awaken one's defense mechanisms. The altruist in the hall with your mother is actually a displaced musician looking for a bite to eat, an ear to lick, a life to organize. In short, a typical anal personality, call the physician since it's his son.

7. The gleam from your monocle leads me to deduct that I can be attractive with your wrench in my hand.

8. My incorrect accusations-at a rate of 23 per hour as opposed to the normal 5 of others-reveal a tendency to jump to conclusions. A recent psychical development allows me to admit that approximately 55% of my ex-husbands' lies are, in fact, figments of my hasty computations.

9. In Politically-Correct Ransom Note Writing, the artist is advised to use sharp scissors and paste heart-shaped designs on paper. This shows, on a subliminal level, that he comes in peace.

10. You are always the upper card in another person's hands.




A Kind of Tomorrow

Unmistakably, this is an unrevised account of all the bad blood between my 18th and 23rd secret love poems.

Somewhere is an evolution away from nowhere.

N got his bearings as soon as he stopped to smell the parking meters and stash his surgical instruments in the hood of an unmarked car.

In some light-emitting versions, I am censored for accepting the moose-knuckle trophy (not mine).

There were some flaws in paradise, like kind words with a 3 p.m. sore throat.

Slumped shoulders were sexually provocative in ancient China: the huntress, the deer, some primordial soup murmur.

In the ABC area of the Venn diagram, a eunuch trained in fungible parts.

For seven days house painters whitewashed all the broken tin giraffes in N's duffel bag.

Some historical facts never came out after the yellow bird (presumed an auk) became extinct.

            I went out to look at maple leaf discoloration.
            I stopped using my real name in public library.
            I mailed invitations for a nonexistent soiree.
            I legalized all my gambling debts and plagiarized vowels.

In short, I went right back to cleaning rooftops with chimney smoke.




Like Electricity



E-mail this article

Arlene Ang lives in Venice where she edits the Italian edition of Niederngasse. Her poetry has been published in Envoi, The Pedestal, Mississippi Review Online, Rattle, Smiths Knoll and 2River View. Her first full collection of poetry, The Desecration of Doves is available through Amazon and Barnes&Noble. Check out her website: http://blueline.goobertree.com/aang.