Unlikely 2.0


   [an error occurred while processing this directive]


Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


Join our Facebook group!

Join our mailing list!


Print this article


Two Poems by Ronan Barbour

smoothie

The shiny new car appears
like a gold blur made to stop
suddenly, and parks
beside me.
I turn to look just
as the driver's door is thrown open--bang
ing
against my passenger side
door.
The fat bespectacled man looks right at
me looking at him.
Gets out of his car, locks it
with his keys
and then turns around to look down at me
sitting in my
old brown beat-up car
with an expression on his rich face
like
what the fuck are you going to do, son?
My mouth open in shock, I watch him waddle off
to the bank
where the glass doors part before him.

I get out of my car
go over to his
and with my left foot
kick the driver's door
counting, "One...two...THREE...FOUR
FIVE!"
Then take the lid off the styrofoam cup
I've been holding
and empty the last half of my banana-berry smoothie
all over the roof and window
of the now not-so-new-looking car.
Get back in my car, start the engine
and reverse
out of the parking space.

Steering it around
I notice
for the first time
the tall black security guard.
He is looking at me angrily.
I put the stick in Drive
and continue on, like nothing happend.

But before I pull out of the bank's parking lot
and onto the street
turn my head back to him
to see if he is still watching
and when I see that he is
give him a look
like
what the fuck are you going to do, son?




looking at naked yesterday

in the end
there's no time
to read books
or think clearly

you sit your
bare ass down
in a chair
pants around ankles
drinking another beer
hearing more voices
from the radio

time ran out
on this day
a good one
no time now
for the memoir

just another beer
just another song

in the end
reading the wall
through the window.


E-mail this article

Ronan Barbour says, "I've been writing a couple years and have had some poems of mine recently published in the small press, namely in Zygote in my Coffee and Literary Vision. I've also got a few poems forthcoming in My Favorite Bullet, remark, and Zygote. My stuff is mostly about experiences I have or thoughts that come to me while working part-time as a retail clerk."