Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Luis Cuauhtemoc Berriozabal

Night Air

The night air
brought back a voice
that weakened my knees.
It had bird
speech and asked me
questions about my childhood.

The words made
me fearful and
I was afraid of the
night like I
was when I was
a very young boy.




Little Girl

There is a little girl
who dances around in here.
I heard her laughing at me
right before you arrived.

I assume this is why
you have come to see me.
Don't tell me the two things
have nothing in common.

I need to get out of
this place because I can't
stand the little girl. Frankly,
she gets on my frayed nerves.

I should not speak to you
because I don't need your help.
What I need is to get
out of this crazy place.

I need to start working.
How can I get a job when
I'm in here taking pills
which leave me sedated?

I won't walk in traffic
anymore. The little
girl told me to do it.
Now I know she's evil.




Old Lady

I am upset
with what happened.
I'd like to see
those terrorists dead
and bombed into
the stone age.

I would like to
help the troops and
get involved. But I'm
just an old lady
in no shape to fight
those sad bastards.

Those poor people
at the World Trade
Center and on
those planes need
to be avenged. My
blood boils over.

George and Dick need
to get their heads
out of the sand
and grab a gun
too. They can't let
all the young folks

do all the work.
If I wasn't in
this wheelchair, I'd
get my old bones
out there, and be
all I can be.


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Luis Cuauhtemoc Berriozabal, 39, was born in Cuernavaca, Morelos (Mexico), and has lived in Los Angeles County since age 7. He works in the mental health field. His poems in English and Spanish have appeared in The American Dissident, The Blue Collar Review, Pemmican Press, and Struggle Magazine. His first book of poems, Raw Materials, is from Pygmy Forest Press.