Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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The Money Carpet
Part 6

And, suddenly, they began. The people at the windows, on the other balconies. Applauding. Clapping. Cheering. Currency notes flying down from as high as four stories, in slow motion from terraces that Anirban never knew even existed, coins tossed from all rooms, people emptying their pockets on the lane. Like the Biblical manna from heaven, like the sweets that came down from the skies as Satyajit Ray's Goopy Bagha sang and danced during wartime in that all-time classic.

Rupee notes blocking out the corridor-like sky as if a huge kite festival was in progress. The tinkling of the coins falling on the ground making a noise drowning the sudden alert calls of the crows, their sleep broken by a non-existent dawn.
And then, as suddenly as everything had begun, it stopped. The windows slammed shut, the lights went off, the crows went back to sleep, the rickshaws stood lined as before, the boys slept, their cloths covering their faces as if nothing had moved.

Kaka was not to be seen. Anirban cupped his hands again. But the moon was gone. She was resting.

The next thing he knew was the wail of the siren, announcing that it was nine o'clock in the morning. He was late, terribly late, for work. The Darjeeling Accord. It was to be signed today. To supposedly quiet the hill frontier of Bengal, of which Kolkata was the provincial capital. Prime Minister Rajiv Gandhi and hill rebel leader Subhas Ghising. He had sheaves of overnight telex as well as agency copies to sort and arrange before the chief sub and the news editor walked in. The junior sub-editor's job in the morning was to do just that; keeping the meal ready for the bosses, they joked in the office canteen.

As he rushed to the loo, Anirban prepared himself for an assault in office.


Continued...