Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Michaela A. Gabriel

how to behave in someone else's dream

1
carry silver coins in your pouch, a spoon
behind your ear. you'll never have to beg,
steal or borrow, and you are always only
one reflection away from a familiar face.

2
don't speak unless spoken to.
uncalled-for words reverberate out of control,
wake up your host moments before salvation.

3
avoid the sandman. you'll know him by his
eyes, a wicked habit of smothering vivacity.
if you fall asleep, dream within a dream,
thorny hedges will grow thick around you.

4
accept no food, you don't know where
it's been. do you think these people chose
to run on the spot, feet frantic, failing?

5
stay away from the seashore.
waves may look like cotton candy,
but there's an edge to them, resolve
to grab your ankles, stain them black.

6
if bubbles emerge from your mouth,
follow them, soar. touching ground makes
the earth quake, whole galaxies collapse.

7
do not kiss anybody. diligent lab rats
will find your lip prints, pale vermilion
as the ghost of love, puzzle endlessly
over the texture of your foreign mouth.




conversations with a tea mug

along with the appetisers, titbits of cheese and grapes, pricked
and speared by bored toothpicks, they offered me this man.

manners are really not what they used to be, nowadays it's all chip
and charge, no one has time for dumplings, watercress garlands.


had it not been for his frog eyes, the frightening curve of his
nose, i might have overlooked the faux pas of olive stockings.

even so, you have no idea what really hot means, breaking
into a sweat at first contact, and the smell, the smell!


perhaps levitra cookies, viagra burgers might cure his shocking
dress sense, the need to rub his hands up and down my arm.

quite endearing, your total lack of self-control, your insistence on
misinterpretation. the cookie monster could help, handles and all.


he said his sister dances the fandango on fridays, behind fuchsia walls,
torn veil dragging on concrete floor. appalling how f-words induce ptyalism.

wait until the women's institute hears of this, they'll scratch out your
lifeline, classify you as ****SPAM****, perhaps take me away on parole.


jotting a fake phone number - bell-bottomed sixes, headstrong nines -
brought out his squint and he crossed himself in all the wrong places.

i understand craving for latex gloves, ripples on a sunday surface.
whatever your score, leave me out of this, don't say i didn't warn you.


when the black-haired girl swung in through double doors with an aura
of aphrodisiacs gone haywire, i dipped chocolate in chili sauce and ran.

there's always something at the bottom of things, perhaps a bag
to trip up the assassins. they'll come. the great suspender will snap.




Grado, 1951
     --for my father

how lucky:
every summer, papa took you
to italy, day trips stumbled into
straight out of bed.

slightly nauseous, your brother
traded cards with you in the back seat,
then mother joined in the games: I spy,
I spy
… her voice almost happy.

starched collars pinched
all the way to the beach - the ultimate
stretch of freedom, the promise of sand
between toes for days to come.

in the afternoon, ice-cream
on the promenade, mother watching
every step; you were too busy
competing with the greedy sun.

pale red rivulets meandered across
your fingers and palms, dripping
sticky trails onto tarmac, like
hansel and gretel's lifeline.

papa always bought a toy,
some state of the art gadget you'd
show off to the boys; another ritual
before the long drive home.

all those days ended the same way:
you were late for bed, too noisy.
papa beat you, all seaside softness
gone out of his face.

you'd try not to blink, murmur
ice cream flavour mantras,
a memory of the breeze
still salty in your hair.


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Michaela A. Gabriel (1971) lives in Vienna, Austria, where she assists adults in acquiring computer and English skills, and gets together with the muse as often as possible. She has been published in English, German, Italian, and Polish, both online and in print. Her first chapbook, "apples for adam", was published by FootHills Publishing in January 2005. When she is not writing, she is reading, listening to music, watching movies, blogging, communicating with friends, playing tennis or travelling – usually several of these at the same time. Check out her web page, http://members.chello.at/michaela.a.gabriel, and her blog, http://moonie71.blogspot.com.