Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Zoë Gabriel

America

They say you live in an ivory tower,
that your trailer home is a castle
What they don't seem to realize
is how difficult it can get
manning the battlements,
womaning the armory,
unmanning the sappers

We are not wired to like words
with too many meanings all at once:
a country or a continent,
a hope or a threat,
an immigrant's dream,
an exile's only choice,
a native's taken-for-granted
drudgery

We prefer pigeon holes,
we like the slate wiped clean,
compulsively closing cupboards
and closets,
wiping off spilled milk,
complaining of the mysterious way
our dwellings become cluttered

We try and try,
but still there are specks of blood
on the bathroom floor
The microwave is haunted

We listen to anything:
the bed creaking on the other side
of the bedroom wall,
the chime of the washing machine,
the full-out shudders
of the air-conditioning unit,
cats and cars

anything to distract
from the pain and misery
of plentiful food and solitude,
of a conscience burdened
by nothing worse than shoplifting

How kind of them,
our so-called friends
to describe our mutual attraction
as a car crash:
inevitable, fascinating, and gruesome

I think you match me
I like the way your body fits mine
I even don't mind your using
the red tulips on the kitchen table
as ashtrays
Sometimes there is simply no explanation
for the fallout




Bystander

You walk;
a black car stops at the next corner,
two men drag a third one inside,
and drive off.
You keep walking;
on the newsstand is pillage and rape
and ecological disaster.
The very thought of switching on the TV
when you get home is cringe-inducing.

What do you do?
What will you say?
You love someone and he loves you,
or at least he acts like he does;
maybe you have a child or a pet
who depend on you;
you're good at what you do.
These are all valid reasons
and solid excuses.

You teach yourself not to care
more than you abstractly know you should,
but still the guilt
and the sense of unfulfilled responsibility
sometimes give you bad dreams.

Sometimes you pray;
you take a pill or a stiff drink;
when you get your lover's answering machine,
you stick a finger inside yourself and chant,
Please, please, don't let it be me.

You walk from day to day;
you love your lover and hope he loves you back,
you walk your dog, put your child to bed,
go to work, read books,
buy flowers and coffee,
you're even thinking of going away somewhere
for your next vacation.

You teach yourself all the time
not to let either complacence or hope win out.
You teach yourself to take pleasure
in trivialities you'd be ashamed to mention
out loud.




Counting Song

Ten empty bottles on the sideboard
red or green
or honestly transparent
Nine headaches in the morning
that last bottle just killed the party

But hey, it was on sale
Buy nine, get tenth one for free

There used to be eight countries in the area
but one's been bombed
back into the proverbial Stone Age
so now there might as well be seven

Wise up, little boy

There are dragons on the road
There are buses in the sky
but who else sees them?

There are six peas in a pod
There are five bullets in a clip,
plus one in the barrel

They are birthing four-legged babies
in test tubes
They are picking three-leafed clovers
for your dinner

Pick a lover – when there's two of you,
that's safety in numbers
Oh look – there's only one
shame trial on TV tonight

Wise up, little girl

Turn off the TV
go hide under your blanket:
what better protection do you hope for?


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Zoë Gabriel is from Europe, has lived in Europe and Asia, and can be located in Maryland at the moment. She is fluent in two languages and can find her way through about half a dozen more. She loves books and brightly colored knee-socks, and consumes too much salt on a daily basis.