Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Zoë Gabriel

This Should've Been an Elegy for New Orleans

But that city means nothing to me,
it spells out someone else's decadence,
other people's dissipation

People lose their all every day
sometimes they even lose the most basic,
the bread and butter of existence,
their lives
Somewhere, people are dying

I am not present-minded
I need my events swathed
in the steam of Ottoman coffeehouses,
the ululations of the centuries

I need history
I will close my eyes
until it's been cauterized
and prepared for study

I am not the only one

Alas for the flesh of this city!
Words cannot recreate it
Hands cannot describe it
This is not enough
This is what I have to give

It has become a ghost town,
an abandoned movie set,
a rejected toy,
the bleached bone of a monument

One of those places
we will occasionally remind ourselves
not to forget

While we bend over our pushcarts
full of words, crockery and beloved plague carriers,
muttering the mantra "But not here;
just not here."

It is really much too easy to become history




Aspirations: A Song for the Balkans

I am a daughter of concrete,
but my bedtime stories are all about wolves
I find more beauty in grass sprouting
through cracks in the pavement
than in a florist's shop window

With my lapful of apricots
and my fingerprints like raisins,
I am heavy with history and promise
I am heavy with longing

a workers' utopia
a lovers' utopia
I am everywhere but here
I am anything but this

In the shadow of Yggdrasil
I am smaller than a peppercorn,
I quiver with energy like a kiss
or Mozart's Requiem

a coiled spring, a tottering idol
or a long-distance runner at the Start line
after two false starts

I piss around my margins,
I look over my boundaries like a forlorn soldier
in a Russian song
Storms are brewing like ale, boiling over,
and we are in the cups, my dear

Neither giant nor dwarf,
neither unicorn nor vampire,
but only human, gloriously, unromantically so
proudly, fragilely so

I know what I want
the ten thousand possibilities I want,
but to know myself better
I'd have to be a multiplication table
or an alphabet, but not a language




Words That Words Can't Reach

I love words.
Love them as I love cake
and the weather
and the pleasant warmth inside my mouth.

I would break my body into words
if they could compass this world
or any other
where the stars blaze like lemons.

But I can't.

I can't word this taste,
this scent,
this touch,
the orange tang of skin,
this solitary confinement.

I can try.

I will draw a circle of books,
a pentagram of letters,
a desert tent of phrases,
but it won't be enough.


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Zoë Gabriel's poems have appeared in Locust Magazine, Centrifugal Eye, AntiMuse and Cadenza; she has work forthcoming in Salt River Review and Southern Ocean Review. Zoë dyes her hair, but is naturally tall. She loves books, spicy food and colorful socks. She is from Europe and lives in Maryland.