Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Kristie Langone

Words

I see them stretched across my ceiling at night
aligned in constellations; Orion spells out a longing
to be a sailor on a text-book voyage across a historical ocean.

I have translated them into ninety degree angles, shapes
like octagons, glass bottles, and even the tiniest Lego piece.
But still, no America; no dinosaur or stop sign or beer.




Two Minutes Before the Boss Asks for the Messages

Silence has the look of a blank rolodex
while I wait for the phone to buzz
in cricket or flood my ears with water
before they pop and I have swum too deep.

I hesitate answering the way a child might
upon his first meeting with the classroom:
the kids will morph into monkeys,
hyenas, most likely parrots;

they’ll scratch their heads at him;
surround him and laugh at him;
talk to him in bird chirps &
stick their fingers in his painting!

Buzz.

"Hello."
"Quack!"
Click.

I transcribe what I think his waddle
looks like on the phone slip; his reckoning
over-bite; his clumsy eyebrows holding on
to his forehead as if it were a cliff.


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