Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Come Here Cowboy Come Here
by Spiel

see this virgin soldier boy
stilled in his prime
bagging elbows
coding knees

hey
come here mr. president

come here
phony cowboy
texas blueblood come here
see this virgin boy
counting toes fingers
and spines

go ahead if you must
line up for the rapture
with your clown hat on
mr. president
or better yet
come here come here
to face this boy
who could not bear
his superior officer's stare

so he was demoted
from near-nobody
to nobody
bagging lips brains
and livers for transport
back home
to the u.s.a.

come here awol cowboy
show this kid your thumbs
the parts of you which prove
you could have lifted something
greater than a crawford chainsaw
(trimming limbs of a less bloody sort)
and he will show you bags full of
thumb-knuckles tips and fingernails
zip-coded for shipping without really
knowing who nor where they came from

this virgin kid
whose virgin sweetheart awaits him back home
this naïve boy who bought your bring em on boast
who figured he could prove he was a man
a mighty christian at war
as he watched you pray with your eyes shut

but this boy's feet turned to sand
as you waffled on your why
and his girlfriend sent a message that you'd lied
and unlike all his buddies he'd never felt
the privilege of his sweetheart's blood yet
here he was all smeared in the blood of thumbs
(not thumbs like yours with tidy fingernails)
plus baby's scalps and tiny hands and too much
splintered bone splattered in human dung
of young men
just like him

come here come on
bigshot-target cowboy
forgive this virgin kid who cannot stand
to face you cannot look you straight
eye to eye
be humbled in his presence mr.
cowboy without a horse to ride
tell him that you're sorry
that you led him so astray
admit you never really had the mandate
though he won't know what mandate is
he is a simple kid
a no body

do this phony cowboy
get down on your knees

sob yourself to bits and pieces

then hope   then beg this kid
can spare some space in his bags
to squeeze your fragments cast astray
with other odds
and ends to code them back
to general delivery

to see if they
(aside from all this more noble flesh and bone)
just might stand the test
for the presence of human d.n.a.


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Spiel was 6 months old when the dark years of WWII were unleashed. He was 50 and in psychotherapy when it dawned on him that fear in his parent’s bodies at that time of unprecedented upheaval surely must have had a profound and lasting affect on him. His newest poetry chapbook, “come here cowboy: poems of war,” recently written at age 65, focuses on how wars, stretching from WWI to today’s aggressive hostilities, have made an imprint. It will be released by Pudding House publications in the fall of 2006.