Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Davide Trame

Only

A trainer. Just one.
On the sand, without laces,
in the field stormed by gunmen,
in the debris after the blast,
in the mud where they show you
the whole village has left,
On the deck where they passed,
among tins dirty blankets
and plastic bags.

One only.
You never stop seeing it.
on the desert strand,
unable to leave the roar.
With all that is lost
it's the only that lasts.




The Day Before the Elections

After the clamours we are hushed.
A multitude in a lapse.
We try to taste the rain to come.
The plain is still and stark,
billows of dust shift their rolling,
winding, nimble silhouettes
and stare into our hearts.
The spring storm is displayed at the horizon:
tiger's irises, glossy, velvet dark blue,
veined with lit lines of violet
and cracks of gold.
We sit on our haunches. We wait and hope.
Preys and predators.
The shimmering and scurrying in the twilight.
And the fairness of ignorance:
truth in suspended paws.




Cruel

You have woken in spring, this morning
suddenly, that's for sure,
though not in a warmer air,
it's a simple matter of light,
still in bed you sense it out there,
fingers rummaging
in their trusting way,
getting with a rounder taste into space,
a door banging fully, with a flourish,
steps from the distance
straight on your skin;
light already entering
too many of your chinks,
stings at once cramming
your maze of nooks and crannies,
but despite everything
you were waiting for it,
despite the umpteenth
bloodbath in the floodlight
and the still unremoved
miles of rubble on the plain,
you were waiting, feeling both
ready and lost, young and old,
well into the always cruellest month
you can never feel so cruel at all.


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Davide Trame is an Italian teacher of English, born and living in Venice.