Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by C. Derick Varn

Foreword
On What Cannot Be Said

Be it gentle or harsh, the words from my mouth cannot speak enough.  We—that is the you that
is reading—    and the I—       that is—                   only     know    the                smell of
            day lilies                   or         the cry          of        our
two-month old niece               when               the formula    is                     unwarmed.  Beyond
this.     Beyond. This.             Nothing.           A      wood owl   sits
in         my window,                its tufts                    may speak to me,         each feather   ruffled
as a      vowel                        and      my eyes        too narrow                    to be prey     may be a
novel     but      owl     and I    can not            talk.    Cannot          speak
of          dead   field mice.       Cannot  speak           of         day old sex.      Can not speak
of coffee.         Or other owls,  white or plumed or brown.       As I to you.       If you do
not have          an owl      or     a niece. What.  What then.    What can be     known.




Revelations of Waterfowl and Wisteria

Sipping iced tea from a
tumbler in midday traffic,
I imagine cormorants
shadowing the brackish
water and gulping

cyprinids and sunfish.
This violence confined
to ripping fish flesh. These
scales luminous
and wrought
asunder.

Each I, each thou,
every fish bone,
is lacking taxonomy.

Wisteria and kudzu
combine on a lattice
across the street.

My Toyota pants
the engine idle as a
chicken hawk
that strip mines

the air. The waterfowl,
the minnow, the koi
I see on a pink-haired woman's
tattooed arm in the car next to me:
all signs. I think of the heron
dropping an ink-stained spine.




Afterword
On What Cannot Be Said

A fly lands   green metallic
eyes and all    on  a  corpse
what is not to be loved

the moment for antennae
the slide over hairs still
brown on grey skin

the beauty here  beyond
the context     beyond the
text    beyond the given
language   each blue
sky blue    sky  blush
sky bluer    you can

see but not speak of
and if I do not tell you
or if I can not   you will
not   know   the car wreck

on I-75  or the old man
whose second stroke  brought
him down  or the boy
stabbed   four times with
a wet kitchen knife  no

even if you did know   I
could not tell you  any more
I could not encapsulate

a life or even the hum
of a fly's wings  if you
had not already heard


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Derick sincerely believes that everyone needs to dance around their house naked at least once a week; in addition to that, being declared an ethicist has made him a general misanthrope. Most good ethicists are. He loves tomatoes and thinks that loving such fruit is profound. He does not like to speak in third-person because he understands that it is a sign of true insanity, but so is literature. He has vowed no longer to be witty in biographies that are included in literary journals of any medium.