Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Lisa Marie Zaran

December

Between some branches,
a full moon stands,
poised to explode.

He hands me deep
blue conversation
from the childhood
softness of his
loving mouth.

I listen,
and in the dark
lodge of my body,
I want.

Don't think me
a carnivore.
It isn't meat I want.
It isn't blood
or improbable bones.

Though my mouth swells
with saliva at the thought
of his flesh.

He shows me
pincushion clouds,
pointing with his finger
at the dim thrusts of light
pressing their way through the darkness.
We stand in anklets of flowers
and all I want is him.

His voice at night.
His finger pointing,
connecting the dots of
destiny.

His voice again, swift as
a bountiful December wind.
His carousel of laughter
when he finds my eyes

not looking at any sky,
but, locked on his trousers,
soft as powder against his
skin.

Man, he stands beside me,
like some overripe fig
and everything he says

makes perfect sense.
I can't even trust the wind
but I trust him.

His voice as it rises
thick as raspberries
to bloody my ears.

The vast structure of
his fingers in their
pointing gesture,
long as an investigation,

and me, smelling of fruit.




Go On.

Born woman.  Go on.
It's farther than it seems,
but okay.

Credit card's been stolen.
Go on.

Above all, remember,
whenever you cry,
husbands roll their eyes,

and children worry.

Go on.

The father that was yours
gets killed by a lung disease.

He loved you, at least you think so.
Go on.

Time is an illusion.
Drink, smoke, do drugs.

Go on.

Drag your crippled bones
to work.  Hate your boss
behind her back.  Smile

to her face.  Go on.

Eat.  Don't eat.  Get fat.
Get skinny.  Go on.

Time fragments.
Space fractures.
Lives intersect.
Wombs bloom

with new life.  Go on.
Wait.

Hold on.


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Recent works of Lisa's can be found at 2River, Lily, Wicked Alice, Gold Dust Magazine, Sacramento Poetry, Art and Music Magazine, Wordsdance, VLQ and others. She is working on her third book of poetry.