Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Rofiah Breen

The Substantial Closing

signified by three Arabic letters
to make it all clear—
but those letters
said, read:
bring the body to a stop,
halt feeling,
that even the best of women
would have given in to
had they not been said,
nay, been at the start
of the Narration.

She was instructed to care for her child
until she had the feeling of fear,
then launch him onto the river
where he would drift
until he came to the region of the enemy:
(My child, I have done this with you,
have delivered you directly into the hands
of the rejecter.)
Then she was not to feel fear,
not to grieve.

She asked in the morning
what to do
and was told to forgive,
command the right
and turn away from ignorance.
Everything she applied to herself,
and before noon
she knew she must ask for forgiveness
for having wronged her soul
for having slain the man
who was stronger than she.




That she, or anyone
could casually slice
me: oh these ones who have wronged
me: what am I going
to do about you, you
keep compounding; now
I have three, four of you
actively itching underneath
my skin. By the time I am
sixty, how many more? No,
one, there's just one, and we
have supposedly made a
truce (by the grace of God),
but God almighty it's loose—
threadbare, a document
fragile, whatever is solved
by words. Besides, the words
were not spoken. I didn't, she
didn't speak them: it was a
thread that went across the
Atlantic, that whisper that
I didn't need: no, that wasn't
it          that . . .
where was that resolve?
I beg your pardon for my
hatred.




The knife crossed the fingers at 1:00.
The line of blood appeared
shortly thereafter: a wonder that
you could have done that to yourself:
I know the boxes flies inscribe
on the inner area of a room.


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