Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by john e

see some guy about a dog

a pack of smokes     i'll be right back
i lost your number a      train was delayed
missed my connection         i mean
it was brutal out there

strawberry kiss, atomic slug, interior
motive, wall-to-wall science, my
standard religious beliefs, my
gum-soled shoes, wanting,
wanting, wanting


and see here it is again,, the moon
the swarming roads in moon
light,,, wanting,,,,
to feel the cold wanting on my face,,,,,
the next corner,,,,,,

        who am i kidding? i missed
   my appointment but here i am
thinking of you, and i am
out,     out,     out
of time for my wheezy strolls
     and indiscriminations,
my welded attractions undoing
     your smile sliding shut
the web of the door




Dust

Obvious as what blood does,
unconcerned as the beating of a heart
unless corrupted, it settles upon me too

and I become, I settle too
into a poem. The uncontrolled myriad
settles upon me, upon this single page.
It filters my time with you.

Others have their own, the scraps
that stick to unsocked heels
in unkept places. Yet in our eyes
it is the same, the beating,
the warm floating, the
single obvious late afternoon.




The Title Begins the Poem

We can approximate the center of a line, a circle,
a guided missile, a reign of terror over or nearly so -
most any dead or killing thing, but never the center
of self or loved ones. How long the

denouement? The wind up, the tooling down?
Don't we know in our blood the hottest part
of the day, the moment when, wordless,
it all turned bad? I want to believe
the roadrunner has no midpoint, ever splatting
in his quest, want to believe Sgt. Peppers final chord
rumbles on. Believe me,

I want to believe I have some notion of when
this poem begins to slide downhill, as I will,
you will. Belief, will. Pluck a word out of wrapping air,
a few more, arrange, and PRESTO!

you'll tire soon, that's all, where the bisection appeared
you might not be sure, but now it's lava coating the mountain,
hometowns withstand, still they're gone.
now it's not PRESTO, but


help                         whispers not to wake, sudden memory


of how light snuck through the leaves,
how taxis danced, people grinning shouting


what? —


no matter, close enough to unison
to catch eternity, or at least
a reasoned consensus, as if everyone
voted the same, professed their love,
knew which side they were on.

I must take to heart the sunset
as some do sunrise. Though it's risky
to think so, you're pretty sure
all those little rascals are dead.

I hold you in my arms as boulders fly into the sun,
suddenly all zooming backwards, the wrong speed,
frantic in a lifelessness setting us so apart
we might as well be one,



except for that thing covering all              whatever that blank is called
even my shuffling, my dementia, all the approximations
forecasts and revisions



but I was a kid in your arms I was
a distance a blue period a pocketknife slicing the film
tatters and totters abandoned and undernourished
a weak and weary return now rested
a blockhead unbalanced dead weight
both sides of life




Apart from all else, I want you
to be my fulcrum, you are my
fulcrum fulcrum fulcrum
aren't you gleeful shout Chuck Jones
Tex Avery Yoko Cinderella Chick?




If you agree, I will believe you.


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John Eivaz (john e) was born in New York and lives in California where he works at a winery. He has a chapbook, Remainder of Thursday Afternoon, available at Lulu.