Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Nicholas Karavatos

Procreate the Revolt

My living cost rose a fraction of a percent. I can't feel it yet.
Briefcases of democracy arrive in Ramallah. I'm having a
Summer of drugs in San Francisco.
Palestinian bureaucrats tour both the Arabian
Gulf and the Persian Gulf putting money in their Chicago holsters.
This is not suicide bribery
This is back pay for clerks
Bread not bullets
World peace begins at home in Gaza
The international home of bullets and babies.

Call her an inmate in the kitchen cubing carrots
Ends up washing dishes before the fire began.
The oil began to burn
Became smoke and flame, a seed
That will not be planted.
The planet exfoliates headlines
Frame by frame I pay
The price
For supermarket meat by studying Tuscan.

I have a reason
To live because they want me to die.
A last goodbye
To the laughing ass, my soul says.
Underworld wide web bidding up
Stock in life while the cost of
Living it is not known.




I'm in the Kitchen with Sylvia

Cook until syrup
Spins a web and you
Are absorbed.

Beat the whites until frothy. Beat the whites
Until they are stiff. Nests drop by spoonfuls

On prepared sheets. Whole milk and grated
Zest of orange. Heat until melted and dissolved.

Hazel nuts roast until their skin is loose. Hazel nuts
Wrapped in sheets sweating until their skins rub off.

Cook until the top springs back when
Lightly touched. All butter should be salted butter.




Traditional Culture

1. The first feature of Ur-Fascism is the CULT OF TRADITION. Traditionalism is of course much older than fascism. It was born in the late Hellenistic era, as a reaction to classical Greek rationalism. In the Mediterranean basin, people of different religions started dreaming of a revelation received at the dawn of human history. Each of the original messages contains a sliver of wisdom, and although they seem to say different or incompatible things, they all are nevertheless alluding, allegorically, to the same primeval truth. Truth already has been spelled out once and for all, and we can only keep interpreting its obscure message. There can be no advancement of learning

Majid Suleiman al Balushi, Hospitality worker, "I do not think that women taking part in sporting competitions is a good idea. See, this is against our culture. In our culture, it's not considered decent for women to go out, work, and participate in sports. The woman's role is to look after the house and her children, cook and clean and look pretty for her husband. Traditionally this is what has been happening. It is the men who are supposed to be breadwinners and not women. Men cannot live under the shadow of women."

2. Traditionalism implies the REJECTION OF MODERNISM. The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity. In this sense Ur-Fascism can be defined as IRRATIONALISM. 3. Irrationalism also depends on the cult of ACTION FOR ACTION'S SAKE. Thinking is a form of emasculation. Distrust of the intellectual world has always been a symptom of Ur-Fascism. The official Fascist intellectuals were mainly engaged in attacking modern culture and the liberal intelligentsia for having betrayed traditional values. 4. The critical spirit makes distinctions, and to distinguish is a sign of modernism. In modern culture the scientific community praises disagreement as a way to improve knowledge. For Ur-Fascism, DISAGREEMENT IS TREASON.

Ahmed Harib al Hosni, Government employee: "The participation of women in sports is a vital sign of our progress. At the same time, we've got to take care of our local conditions and culture. We can't quite replicate the West totally. We need to follow the needs of our culture, and see to it that progress of women is enhanced without the ill effects of the West."

5. Besides, disagreement is a sign of diversity. Ur-Fascism grows up and seeks consensus by exploiting and exacerbating the natural FEAR OF DIFFERENCE. The first appeal of a fascist or prematurely fascist movement is an appeal against the intruders. Thus Ur-Fascism is racist by definition. 7. To people who feel deprived of a clear social identity, Ur-Fascism says that their only privilege is the most common one, to be born in the same country. This is the origin of nationalism. Besides, the only ones who can provide an identity to the nation are its enemies. Thus at the root of the Ur-Fascist psychology there is the OBSESSION WITH A PLOT, possibly an international one. The followers must feel besieged. The easiest way to solve the plot is the appeal to xenophobia. 13. Ur-Fascism is based upon SELECTIVE POPULISM, a qualitative populism, one might say. For Ur-Fascism, individuals as individuals have no rights, and the People is conceived as a quality, a monolithic entity expressing the Common Will. But no large quantity of human beings can have a common will...

Sultan Sulaiman al Khadoori, Student: "We need to make sure that we are secular in our thought and approach."


"Traditional Culture" is constructed from appropriated text: Umberto Eco, Eternal Fascism: Fourteen Ways of Looking at a Blackshirt" and TheWeek, #161 (Muscat 2006).


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Nicholas Karavatos is currently an Assistant Professor of Language & Literature at the American University of Sharjah, United Arab Emirates. Graduate of Humboldt State University and New College of California's Poetics Program. Poems have appeared in Blackbox, Cherry Bleeds, Country Activist, debt, Earth First! Radical Environmental Journal, Humboldt-Central American Solidarity Newsletter, Log, Minotaur, mirage[periodical], Paisley Moon, Prosodia, San Fernando Poetry Journal, Steelhead Special, Tight, Thieves Jargon, Travelling Poet, and Toyon.