Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Anthony Liccione

Christmas Eve

I poke into night,
where corners of whores
ready in their Santa hats
approach my car
dressed like sexy elves
or a prized present,

back home stockings
hung from long legs
to the foot of the bed,
her cranberry juice flow—
lying on the sheets
as a Christmas cookie
of a cutout angel,
straight from the oven
carved and craved
naked of frosting-

soon into sleep,
I dreamt once more
of eating her again,
the triangle-shaped box
a meal in a metal bed
crumbs and tangled hairs
on the wooden floor-

I would unwrap her
the blankets,
ribbon tied hair-
the cold toes that curled
in the night,

throw a log into the fire,
and come to her
with another long log
from my snowmen boxers
into her warm box-
as the mistletoe
holding below
would lose its grip
of a simple kiss,
while we shook the
foundation of the
gingerbread house,
that Christmas morning;

two glasses of leftover
spiked eggnog knocked
to the floor, and me
tormenting over the question:
if I've been naughty
or nice this year.




Yesterday, What Was

I remember us-
how we danced those endless nights;
twelve struck with a magical stroke,
the moon above would melt
in our eyes,
            young love graced as one.

Summer days heat
we would go to the beach:
feet sank into sand
double-fudge dripped off our cones.
She would wrap herself
in the cool blue lake
and stroke,
            afloat the thrusting waves.

Yesterday pictures,
a frame can only hold.
White and gray ran with me
and bent the concepts captured in.
I sit with two alone-
when I talk to her today,
only the birds answer back.
The t.v. gives me intention,
the radio motion;
she is half-conscious
and I am her stranger:
that feeds, diapers and
tucks her expired eyes to bed.
Her face is half-beaten
with gravity, muscles weak to
control her bladder.
            It hurts to smile.

But still I hope for the better.
Soon the day will end
and it will be dark. I
will wash her nipples
and change her sheets. Then
at the stroke of twelve,
I shall dance again–
to the thousand beats of eternity;
that you will never be skeleton
            when I am in ghost.




Winners and Losers

Today I lost an argument
with a my father,
and he won the reaps
of satisfaction;
and still I don't feel
like a loser,
and I bet
he doesn't feel
much a winner.

Death taps my shoulder
like a poker player
taps his chip
against a hand,
he turns me around
to face him,
my eyes plug into
his steel eyes
and I see life
flash before me,
wishing our lines
of communication
would end.

Stale wax
reverses itself
from a bottomed plate,
rising itself to
a candlestick,
the hot drips
slowly running
upward around
a burning wick,
loose and free
it came together
once again,
the beauty of its
carved design,
delicate colors
soft aroma—
it stands anew.
A lighter approaches
a flame ignites,
and looking on I wish
a gust of wind
would have come through
and blew back the yellow
flame dancing atop,
transeunt to
time–elusive to blood
that breaks darkness
before the creation
of a sunset.


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Anthony Liccione lives in Texas with his wife and two children. He has three collections of poetry: Heaven's Shadow (Foothills Publishing), Parched and Colorless (The Moon Publishing) and Back Words and Forward (Publish America). His forth book, Please Pass Me, the Blood & Butter is now available through Lulu Press.