Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Eric Smiarowski

Forty Eight Hours to Comply

what do these hours mean?
How long that bomb has been suspended in mid air
plump with death
patiently ripening nuclear fructose
Another kind of activist
ready to change the world
Disintegrating slogans, signs, skin and bones
No black mask just mass black
delivering hell to us so we can stop working so hard to get there
With thirty two hours remaining to remember
what our planet was like
I see a spring robin circling driveway stains
as hatred looms where summer love should be
dogwood buds bloom and die
tulips rise to wilt
shedding tearful petals to a muddy ground
suddenly appreciating the great leveler
my eyes are dry as I shake my head. What
are you people doing?
Why am I writing poems?
Am I standing here?
There is nothing but nothing on top of nothing else
introducing this suicide kennel

Why am I so stressed about this bomb dropping
out of the asshole underwear of my
coup d'etat regime?
I put on my brave face and walk around appearing apathetic
but I am frightened
into this sabotaging bender
crying in the bath tub because my parental government
has raped me-
My unimportant blood swirling down smaller than insignificant drains
I am prostrated; begging to mean something before your eyes
close
completely to the possibility that we enslave ourselves

I don't want to write a war poem just like I don't
want to write a break up poem
with all the sourness of rebuilding what we've destructed
toppling uncertain markets by quantifying differences
like self destruction for the sake of poetics
because the pain is real-right? This is real, right?
This is real, isn't it? Isn't this real nothing distracting?
So here I am
still begging to be loved
while the bomb is only eighteen hours from impact
questioning more and more the agent to action
while linking proper pronouns to improper clauses
picturing the performance quality of every line
as if this were the only
significant thing left
to my
life

Pathetic really. This writing I do to trick myself into self-importance like accepting a buyout offering fleeting acknowledgments of my existence. This is all a greedy grasp at a world to live where I'll feel less humble. My ego pumps this iron because it is fragile behind bars. When I was seven I knew I wanted to go painlessly in my sleep. I don't want my wife to die first. I only want peace without guns. Law without a master. Death without pain. Pathetic, really.
I go to the bar.
Get good and drunk.
Brush my teeth at noon with eight hours left.




Possibility Is Archaic

convicted maple leaves twitch
on a grey branch
beneath
the frigid flat sky

perched there exposed,
an abandoned squirrels nest
leers at me with the stone eyes
of medusa's severed head

so entirely joyless is this cold air
that the empty tree swing is not even moved
to sway for the soul of a child
sulking outside the house
of God

All things between
life and death are unhappy.
I cannot help but feel
connection with dead leaf wind

Conviction
and doubt
hang me from a petrified tree
rooted in pitiful moodiness;
my pendulous spirit
an intrinsic display

inside the pitch of this shadow
I will never see the summit of my climb
or have warning of the hangman's trap
baiting my next step


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Eric SmiarowskiEric says, "I graduated from University at Albany with a BA. I left NY a year later with a duffle bag and my laptop. Four years later I'm 33 and live in Wilmington, NC. I've published infrequently. Mostly in small presses like Screed in Albany or Butcher Shop Press. I've published online at thundersandwich.com and the now defunct outsiderink.com. I read at Bowery Poetry Club in NYC. That was a good time. Most recently I won a competition at Bottega Art Gallery in Wilmington. I've been writing poems seriously for about thirteen years."