Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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The Audacity of Depression
Part 2

More Band-Aids for the trained chickens, please!

Virgil may be popping open a Keystone Light lager somewhere in heaven, or in maybe a much warmer venue. I dunno. But people are thinking about it more than ever. Among sentient people everywhere there is a deep, visceral unease, and among those most aware there is genuinely acute suffering. I hear this expressed quite articulately not only in places such as this Omni Hotel "writers' lounge," but in working and middle class living rooms and in emails from Americans and around the world.

Naturally, the bunny and cupcake set of Americans are still oblivious, or at least pretend to be, but even at the more inchoate and private level, there is a growing awareness that things are going very wrong, and doing so on an incomprehensively massive and complex scale. There is the feeling that even if what is happening could be made comprehensible to the majority of humanity, to all those people just trying to keep afloat on the planet, from Zimbabwe to Flint, Michigan, overall it is unstoppable. Unfixable except in the fleeting media/politics Band-Aid sense, and then only in locales rich enough to afford the illusionary Band-Aid fixes politicians dream up when they write their campaign "plans for change."

All of which is horseshit, of course, since real change would entail undoing most of the machinery of planetary destruction and extreme pressure to standardize humanity that we have come to know as modern civilization and mass society — halting, then reversing the momentum this monolith has achieved.

We now live as the technoculture's subjects, not its masters and will from here on out as viral technology mediates, homogenizes and monetizes human experience worldwide, in ever more remote corners. I watch it regularly in the Third World, where the power of gadgets such as cell phones is wiping out the core foundations of indigenous or longstanding cultures within a decade or two. The global machine's technological nervous system and production musculature, the techno grid now embedded in the world, grows in quantum fashion to control every aspect of our lives deeper and more thoroughly than is imaginable by the folks living those lives. It's so pervasive we don't feel it at all.

For instance, I just hit the ATM machine in this hotel for forty bucks. And in doing so I joined the Manhattan book editor, the black Carib village fisherman in Dangriga, Central America and the taxi driver in Capetown, South Africa in performing the same activity. We all stand submissively before the global ATM machine network like trained chickens pecking the correct colored buttons to release our grains of corn. Freedom, and to a large extent joy, as we understand it in our common technoculture, is mostly just the grid's monetized consumer offerings, each with its own type of packaging, its own technologically produced overlay of commercial skin. These choices, by the way, do not include the non-uniform products or experience, unauthorized products or joys such as hashish or deviant sex. Not officially at least, but perhaps when technoculture solves the uniform packaging and delivery problem …

If anybody solves that problem, it will be the Japanese. There seem to be no bigger suckers for technoculture than the people who have given the world plastic dirt ("half as dense as and a thousand times cleaner than real dirt") the UFO-detecting keychain, the online lie-detector and the hydroelectric toilet, which "assesses what variety of waste you've just put into it." Technoculture is stressful enough, but obsessing over how clean or dense dirt is, and assessing the varieties of you bodily waste (last time I looked there were only two) well, there may be a certain justice in the Japanese suffering the highest levels of anxiety, stress, and depression. It's so bad that according to Dr. Kunio Kitamura, director of the Japan Family Planning Association,

"Japanese people simply aren't having sex, and the suicide rate has been rising rapidly."

Personally, I am not having much sex either, but that has not yet pushed me to toward suicidalism and probably never will. After age sixty sex became perhaps my fifth highest priority, just below the availability of cheap beer or maybe even a double bourbon after six PM, which of course has a helluva lot to do with that fifth priority and its likelihood. All of which is more than you cared to know, I am sure.

Continued...