Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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The Audacity of Depression
Part 4

A new Dark Age? Hell, why not?

"A new barbarism, illiteracy and impoverishment of language, new kinds of poverty, merciless remodeling of opinion by media, immiseration of the mind, obsolescence of the soul. Massified, standardizing modes, in every area of life, relentlessly re-enact the actual control program of modernity. Capitalism did not create our world; the machine did."
        —Jean-François Lyotard

I've painted a grim picture for sure, made worse by claiming that hope is a sucker's game, even a religion for millions of "people of faith" who believe hope and faith are the same thing. Ah hope! That fuzzy hearted Hallmark world of mass produced sentiment and emotions, even about "bereavement," a world where thinking is regarded as a rat in the larder of bourgeois smugness. Thinking gnaws away at everything so relentlessly, until it finally breaks a tooth on one truth or another. And one of those truths is that the technology enabling those digital greeting cards that play "Happy Birthday" is systematically destroying nature and toxifying and maiming the millions of drudgery filled souls whose sole purpose for existence is industrial.

I'm convinced we are watching Lyotard's illiteracy and impoverishment of language and merciless remodeling of opinion by media and "massified" standardizing in action. I could be wrong — my wife and kids assure me I am wrong about most things. But I have at least one scholarly author type on my side, Dr. Morris Berman, who argues that we are indeed seeing the approach of a new Dark Age. I'm willing to bet that the tens of millions living on less than a dollar a day or any of the women and children sold into the world's multibillion-dollar sex-slave trafficking (including those under American auspices of Dyncorp and Halliburton subsidiaries like KBR) feel that it's here already. Not that anyone is asking them or anyone else in the Third World.

Living as I do much of the year in a Third World village, watching daily the cost of the American lifestyle on the village's people, the technocultural cheapening of their lives, physical hunger, I feel guilty even being in such a posh hotel as the Omni. I should be back in Central America finishing up the water and sanitation project I recently started there (and probably would be if I were not out of money). Yet, through the patio's glass door I can see the people round my table, the Northumberland librarian, the writer Tom Miller whose moving testimonies of Latino immigrants open up worlds unseen by white Americans, my own good wife who brings to life the truth of slavery by excavating memories in an amnesiac America … These are people who understand that human life is short and history is long, and that their humanly elegant efforts will not only go unheralded by that history, but mostly go unacknowledged in their own darkening time, and be all but eradicated by the sheer impoverishment of language and literacy in their native country during a New American Dark Age that comes cloaked in glittering technology instead of a coarse woolen cowl. Such unassuming and dedicated people are among our best.

This sordid American drama, the one I am calling a Dark Age, will in all likelihood not be completed until well into this century or the next, with a slew of increasingly nasty episodes along the way. Everyone here in the hotel lounge will say goodbye to this world long before America says the Big Goodbye.

Until then, we are left to play out the game day by day. That being the case, we should elect to play it out with the best among us, the ones on humanity's side, that hidden and unheralded aristocracy — those quiet lamp lighters making their way through the deepening dusk of American civilization.

E. M. Forster described them as,

"Not an aristocracy of power, but an aristocracy of the sensitive, considerate and the plucky. Its members are to be found in all nations and classes and through the ages, and they know each other when they meet. ... Authority, seeing their value, tries to net them and to utilize them. ... But they slip through the net and are gone; when the door is shut they are no longer in the room; Their temple is the Holiness of the Heart's Imagination, and their kingdom, though they never possess it, is the wide open world."

In this they are deathless.

Like periwinkles.


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Joe Bageant is the author of the New York Times bestselling book Deer Hunting with Jesus: Dispatches from America's Class War, to be released in paperback in June. Check out JoeBageant.com.