Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Wendy Taylor Carlisle

March Sixth

Another school shooting,
the same procession of strangers, pressing
half-wilted bouquets against
the chain link playground fence, the same
stunned looks and friends' disclaimers,
the same non sequiturs:
He was going in the Navy.
He had a tattoo. He wouldn't hurt a fly.
He sits in juvie somewhere,
Boulder, Sacramento,
some half-horse town in Arizona,
his head hanging, his hands caught
between his knees, fingers locked,
his mind in a sixty-cycle hum,
not praying, certainly not imagining
last year's census which under-counted
those roomless citizens gathered in
the angles of cities like dirt in an elbow crease.
A boy, maybe considering fighting,
maybe masturbating,
not concerned with about politics at all,
not even thinking of the girl who went down
in a tangle of brown hair and plaid,
not her blood, not the relief, a boy
thinking about insults, a
bout the turn down, about guns,
the heft of them, their slick,
metallic smell, the warm stock
nestled against his shoulder,
the kick of that shotgun on his arm.




Any Heart

Before first light a heart can rise out of the sweaty body
follow the morning into another room, escape an encircling arm.

Before the earliest hungers dawn, a heart can
withdraw, as the sun licks the window pink, as the body wakes

and turns to that different breathing. Any heart can
do this, without stir or rustle in the quiet

before the coffee maker. Every day, someone's heart bursts
or clogs or flutters, slips away while a plane

tilts into its journey. And why not?
In a fit, Grandmother's white hair flew out against the pillow.

I held my breath and learned how death was done.
Afterward, it could never come too soon.


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Wendy Taylor CarlisleWendy Taylor Carlisle lives in East Texas with her husband, two cats and a dog who once chewed rugs. She has published both in print and on-line at sites like Riding the Meridian, Poetry Magazine.com, Conspire, The Astrophysist's Tango Partner Speaks, A Writer's Choice Literary Journal, 2River, Tinturn Abbey, Sarasvatzine, The Salt River Review, Mystic River Review, Gravity, Zuzu's Petals, and The Texas Observer. Her book, Reading Berryman to the Dog, is available from Jacaranda Press.