Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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¡Presente! is a live show featuring Leigh Herrick playing conga and reading her poetry as Branko Gulin creates a spontaneous painting. We present five of these paintings and three of these poems, along with video selections taken from the show's five-day run in May 2008, which took place in the Chapel at Hennepin Avenue United Methodist Church, in Minneapolis. The video is a forty-three megabyte .mp4 file and will require a high-speed connection. If you have a high-speed connection and still cannot watch the video, try installing QuickTime.


 


Ninth American Irrelevance of Enumeration Osmotic Poem
(After the 9th Amendment in our Bill of Rights)

You with your mapled groves your edenic prairies & forested lakes your black hills your superior shores your national monuments your statues & walls tall endings & shortened trails   You with your hiking boots your beard & dreadlocks your pixie cut your crew & pony-tailed expressions   You with your ankle boots & key   You with nothing   You without repose   You with your air your lucky strikes your lap-topped amusements your underbelly & your sands your many hours in the hands of sergeants & general admit tickets to paradise presumed   You with balloon payments & expectations   You marooned in the island of language & attitude   You with no face   You with a thousand ways to kill   You with the sheath   You with the description    You with the prescriptive reign   You with the terror   You with the stained & the soaked   You with the mouthpiece You with the rack & pinioned polls   You steering clear of politics   You with the open-holed arguments   You with the mourning   You with the grief   You with the stricken parents   You who remember good days & You only what remains of the bad   You with your butterfly net & effects   You with your petri-dished discoveries   You with your bowling-balled days   You with your trophies & awards your grants & your lands your scholarships your meritocratic simpatico infernoed glare in the argument of hours and emptied stares into the evening's disregard   You on the mower riding   You in the classroom   You with the cat on your lap dreaming of jaguars & showgirls   You restoring each prairie   You rebuilding community   You at the voting-polled gymnasium where the soft tic of one outgoing fluorescent light illuminates forgetting   You outside history   You with mud in your hand   You of the airborne division making winged Icarusian decisions about proximity   You without question   You who question everything   You un-responsive   You lacking answer   You with your elbow at the windowsill thinking departure & the yellow finch's entire aptitude   You who forgot to remember & You who remember all   You sitting in the imperative   You shifting in the anglican chaise   You on your stomach now in the desert learning the difference between practice and real   You with battle pamphlets in-hand   You with pamphlets on tribal insurgency read between mortars & shells & the burning flesh you'd never smelled      You at your desk   You at the bank   You with your back against the diplomatic wall sipping cooled café    You picking apples   You trading stocks   You wiping the film of crop dust from your sleeve   You inhaling systems & beliefs   You breathing heavily waging everything on hope   You in the tower You in the meadow   You in the lands at the bureau the agency a cross in your throat a tongue for your stand   You with the impediment of thought   You trained to train   You of the trained   You who understand the skull&bones of secrecy    You in the nightmare   You waiting for the nudging shove   You beating your hands at your head   You who crow   You with your guns and slapping shores   You without children   You   of the pencil-sharpened days   You of the signatory haze   You who were fired oh   You who are hired oh no one to Trump your insistent ways no one to pummel you no one to strip you corner you no one to make of you the very last wall the thicket the wood fox you're without snare   You who dare   You on the beach   You with the bullet   You with the peach   You who sing the rocket-emboldened blazoned ring
You who are terrified noting nothing:
This is the end of the page.
Wake now.   You're free.




shucked and shelled bt subatomic improv

the order and the silence       what lies beneath

the peace and the bombing
the order and the silence
the silence and the peace

the order and the bombing
what lies beneath

the bombing and the bombing
the bombing of the peace
the bombing and the silence
and the peace-bombing piece
the bit about the silence and the
bombing of the peace and the
silence and the shelling
and the selling of the bombing
the bombing of the peace

and the silence
and the shifting
and the seeking
and the knowing
the paradigmatic bombing
the bomb bombing laws
the subatomic consciousness
the bomb atomic laws
the particles and the bombing
the science of concision
the physicists of solid states
the masses and the arguments
between                        between

the order and the silence
and the bombing
and the piece
of matter and the matters
of opinion run amok
primordial symmetry
run amok
the 2nd BigBang gravity of
the situational comi-tragedy
the here on earth
mechanics of
the drifting of the pieces
between the peace

the bomb between the silence
the bomb between the shelling
the bomb between the shifting
and the silence and the selling
the bomb between the drifting
of the particles of peace
a bomb between the silence
a bomb between the peace

between all sound

the knowing unknown

the unknown knowing

breaking in the end
breaking with the silence
breaking in the end
breaking that the bombing
breaking that the drifting
breaking that the peace
that the silence in the end
surround all sound

that in the beginning
the silent sound
the instrument the silence
the instrument the peace
the everything
      everything
      everything
done
the everything
      everything
yet to come
the instrument the silence
the instrument beginning
what lies beneath
the instrument      instrument      coming to an end      the silence in beginning

the instrument      instrument      the silence in the end




What Will Happen to You

Every bird will look the same but you
will view birds differently the sky will still
look blue on blue days gray on gray and sunk
within the fires of setting suns that you
in another time saw as simply truth
truth itself will have suddenly changed
Bird is a bird here only as long as
bird is a bird there
Arguments will fly from the feeder feathers
settle in another country: The Middle East or
South America          Feed itself will become
all manner of human integrity each 5 # bag
bought in concern for trade and fairness
each green urge sprung from all of earth now
in question a matter of life and death induced
in the labs of laboring scientists all
attention bought and sold like last week's
Valentine roses preserved by Equadoran hands
American Kum ba yah in Cayambe Valley
America Kum ba yah in American boats Kum ba yah
America landing Americamerica everywhere America
Birds of the world fly up
Roots of yin know yang
Middle mind sees feathers all around
No one said this would be easy
No one made such promises
And now you understand
Sun is sun
Bird is bird
You are lit
Heaven is your mouth
your hand


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Leigh Herrick is a poet, writer and collaborator who attended the November 2007 protest of the School of the Americas at Fort Benning, Georgia. Her ensuing poetry show, ¡Presente! ran in Minneapolis and is available for performance elsewhere. The ¡Presente! Audio CD (Live) and Chapbook are available for purchase. For additional information please visit her site at www.mnartists.org/Leigh_Herrick.

Branko Gulin is a multimedia artist and recipient of various awards for photography, performance art and sculpture. Originally from Croatia, Gulin's one-man shows and collaborative performances have appeared throughout that country, as well as in Paris, Ravenna, Venice, Zurich, Boston, and Minneapolis. For additional information, and to view his artwork, please visit his site at www.mnartists.org/Gulin.


Comments (closed)

Alex Nodopaka
2008-09-01 06:29:14

Branko Gulin

Just enough realism
to make it understandable
and the fact that
the understandable is interesting
may be besides the point