Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Anonymous Gun
Part 15

As everyone was trying to leave New Orleans, I was walking in, past screaming rednecks firing shotguns, brutal angry thugs, beatings, pounding rain, winds so strong they scooped trash cans up of the sidewalk and flung them into the sides of buildings. I walked down the street, when a stove crashed through a window right behind where I had been seconds before. A man sees me, and holding two beer bottles, one in each hand, he shatters them on the bar and starts to follow me with them and a glare of hatred in his eye the likes of which I had only seen in stoned withdrawal and crystal meth come-downs. I notice him and pick up my pace. Handcuffs dangle off my right wrist. A car slams into a pole and a hubcap flies off the car smacking my pursuer in the back of his head and he falls down. I walk on, ankle deep in water. He stands up, collects his broken bottles and continues to follow me, blood drooling down the back of his head and down his tattooed forearms. Two cars speed past me as I cross the street to an abandoned apartment, to the fire escape. I fling a brick at it and the ladder slams down into thin air. I jump up and grab it and start to climb. My pursuer throws one of the bottles away and puts the other one, neck first, in between his teeth and climbs after me. We are running, jumping, climbing, his hatful glare even more sinister than it had been when he first saw me. I make it to the roof, and run across it, handcuffing myself to a looping pipe jutting out of the brick, and collapse to the ground. My pursuer teeters on the roof for a moment, his eyes roll back in his head, and he falls off, into a dumpster that is sliding by into the water, that will later go on to tip over, and spill his corpse at the feet of distraught running families. I handcuff myself to a pipe, and throw the key over the side of the building.


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he's a very lonely man