Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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A Third of Methuselah
Part 2

If you had seen her stepping off the 186 bus about 3:30 PM, just across the George Washington Bridge in Fort Lee, New Jersey, your eyes would have glanced off this plain, nondescript young woman. You would not have bothered to catalog the reasons she was nondescript, but these were medium height, dull brown hair and eyes, no makeup or jewelry, loose denim shirt, worn cords, flat shoes, a scuffed down vest, and a lumpy blue backpack on her back.

Actually, beneath the clothes was an underfed but abundant female shape. And tattoos—a spinal cord down her back, with snakes writhing around it; two severed heads, one on each breast; dead baby on her belly; huge cock on her right upper thigh; swastikas on both arms; and along her left side, a caricature of herself in naked embrace with a giant cockroach. No ink on her face, but close-up you could see where skin had been pierced by ear rivets, nose rings, cheek chains, and eyebrow studs; these vacated holes and her vacant expression made her look like she had walked away from an encounter with a firing squad.

Her name was Deena. Her original first name, Mary Ann, was imposed by her lying parents, so she'd gotten rid of it as soon as she got away from them, more than four years ago. Since then she had renamed herself many times. She had derived Deena from DNA, in honor of the test results that humiliated her father and may have helped kill him.

She had skipped the creep's funeral, shunned the family for years. Deena had never felt like a Hale, and from the age of twelve, she rebelled: hence the tattoos and piercings, the variegated hair, and enough makeup to obliterate every trace of her birth face. She took every kind of drug, stole without qualm, despised sex but would sleep with anyone, male or female, as long as she was paid. She sought out dangerous, violent men—bikers, drug dealers, dirty cops. Yet she would never harm animals or insects, and was a strict vegan even when on heroin. In truth she only loved violence that was visited upon her. After the stupid events that made her disown her father forever, this need intensified, and she skirted death many times.

But when David Hale died it was like a buzzer went off. Her extreme behavior hadn't changed her a bit. She was no different from anyone else. Crack was no different from her father's scotch, and body piercings were merely variations on the self-punishment of her mother's heels, wire bra, and girdle. Even the name she thought so clever, Deena, was an accidental contraction of David and Jean—her parents' names. So she removed all the makeup and metal, let her hair fade to brown, covered her tats with long-sleeved shirts, and kept the name, to punish herself.

Continued...