On the other end of the spectrum are the ideologically-driven people who have turned hatred of culture into a sort of art. I have to smile when I think of the small minority of Islamist wackos who tried to storm the stage at one rally I sang at in DC in 2002, shouting, "No music! No music!" Security for the stage was being provided by the Nation of Islam, who faced off with this group of Islamists, who ultimately decided that throwing down with the Jewels of Islam behind the stage that day wasn't in their best interests, apparently.
But much more prevalent, and therefore much scarier, are groups like the ANSWER "Coalition." (I put "coalition" in quotes because I have yet to meet a member of a group that theoretically makes up the "coalition" that has had any say in what goes on at their rallies, although the leadership of ANSWER is of course happy to receive the bus-loads of people that their "coalition" members bring to their rallies, which seems to be the only thing that makes ANSWER a "coalition.") ANSWER, last I heard, is run by the ultra-left sectarian group known as the Worker's World Party, which I strongly suspect is working for the FBI. (Although as Ward Churchill says, you don't need to be a cop to do a cop's job.)
Millions of people in the US who regularly go to antiwar protests are unaware of who is organizing them. They just want to go to an antiwar protest. ANSWER has become almost synonymous with "antiwar protest," to the extent that many people on the periphery of the left (such as most people who go to their protests) refer to antiwar protests as "ANSWER protests," as in "I went to an ANSWER protest," whether or not the protest was actually organized by ANSWER. (Just as many people say "I was listening to NPR" when they were actually listening to a community radio station that has nothing to do with NPR, broadcasting programs such as Democracy Now!, which the vast majority of NPR stations still will not touch with a ten foot pole.)
I always find it unnerving and intriguing that ANSWER protests always seem to be mentioned on NPR and broadcast on CSPAN, whereas rallies organized by the bigger and actual coalition, United for Peace and Justice (UFPJ), almost never manage to make it onto CSPAN or get covered by the corporate media. ANSWER always seems to get the permits, whereas UFPJ seems to be systematically denied them. Anyway, I digress (a little). I tend to avoid anything having to do with ANSWER or the little-known, shadowy Worker's World Party, but a few years ago I was driving across Tennessee listening to CSPAN on my satellite radio, and they broadcast the full four hours of an ANSWER protest in DC. I sat through it because I wanted to hear it from beginning to end, for research purposes, and Tennessee is a long state to drive through from west to east, had to do something during that drive. There was one song in the four-hour rally. Although I've been an active member of the left for twenty years, I recognized almost none of the names of the people who spoke at the rally. Every speech was full of boring, tired rhetoric, as if they were out of a screenplay written by a rightwing screenwriter who was trying to make a mockery out of leftwing political rallies. Judging from the names of the organizations involved, very few of which I recognized either, they were mostly tiny little Worker's World Party front groups. And since the Worker's World Party apparently doesn't have any musicians in their pocket, there was no music to speak of. (Or, quite probably I suspect, they don't want music at their rallies because they don't want their rallies to be interesting.)
ANSWER is an extreme example, but a big one that most progressives are unfortunately familiar with, whether they know who ANSWER (or Worker's World) is or not. Inevitably, most people leave ANSWER protests feeling vaguely used and demoralized — aside from those who manage to stay far enough away from the towers of speakers so they can avoid hearing all the mindless rhetoric pouring out of them. Contrast the mood with the protests at the gates of Fort Benning, where most people leave feeling hopeful and inspired.
I know I have no more hope of influencing the leadership of Worker's World with this essay than I have of influencing the behavior of the New York City police department with it. But neither of these organizations are my target audience. Those who I hope to reach are those who are genuinely trying to create rallies and other events in the hopes of influencing and inspiring public opinion, in the hopes of inspiring people to action, in the hopes of winning allies among the apolitical or even among conservatives. The people I hope to reach are those who have been unwittingly influenced by the corporate music industry's implicit definition of what music and culture is and is not.
And, here we go, I would count among this group most of the hard-working, loving and compassionate people who are organizing rallies, who are organizing actions, who are organizing unions, and who are creating progressive media on the radio, on community television and on the internet in the US today.
I'd like to pause for a moment to make a disclosure. I am a professional politically-oriented musician, what the corporate media (and many progressives) would call a "protest singer," though I reject the term. I'm not sure what, if anything, I have to gain personally by publishing these thoughts, but I think it behooves me to point out that I am one of the lucky ones who has performed at rallies and in progressive and mainstream media for hundreds of thousands of people on a fairly regular basis throughout the world, and I would like to hope that my words here will not be understood as Rovics whining that he's not famous enough. I speak here for culture generally, not for myself as an individual singer-songwriter.
My desire is to reach groups like Pdx Peace and their sister organizations throughout the country. These are genuinely democratic groups, real coalitions made up of real people, not sectarian, unaccountable groups like ANSWER. These are groups, in short, made up of my friends and comrades, but these are groups also made up of people who grew up in this society and therefore generally have a lot to learn about the power of culture to educate and inspire people. It is not good enough to have music on the stage as people are gathering to rally and as they are leaving to march. It's not good enough to have a song or two sandwiched in between another half hour of speeches — no matter how many organizations want to have speakers representing them on stage, or whatever other very legitimate excuses organizers have for making their events, once again, long and boring (even if they're not as long or as boring as an ANSWER rally). It is not good enough for wonderful, influential radio/TV shows like Democracy Now! to have snippets of songs in between their interviews, when only two or three of those interviews each year are related to culture. It is a sorry state of affairs that NPR news shows do a better job of covering pop culture than Pacifica shows do in terms of covering leftwing culture.
The vast majority of the contemporary, very talented, dedicated musicians represented by, say, the "links" page on www.davidrovics.com, have rarely or never been invited to sing at a local or national protest rally (even if some few of us have, many times). The vast majority of progressive conferences do not even include a concert, or if they do, it's background music during dinner on Saturday night. I can count on one hand the number of times I have heard Democracy Now! or Free Speech Radio News mention that a great leftwing artist is doing a tour of the US. The number of fantastic musicians out there who have even been played during the station breaks on Democracy Now! is a tiny fraction of those that are out there — of the dozens of musicians featured on my "links" page for example, only a small handful have even been played once. It is shameful that it's easier to get a national, mainstream radio show in the UK or Canada to plug a tour of such a musician than it is to get any national Pacifica program to do this.
Radical culture needs to be fostered and promoted, front and center, not sidelined as people are gathering, or when the radio stations are doing station ID's. Because if the point is to inspire people to action, a song is worth a hundred speeches. If the point is to educate people, a three-minute ballad is easily equal to any book. (They'll read the book after they hear the song, not the other way around.)
It is often said that we are in a battle for the hearts and minds of the people of this country. It is us versus CNN, NPR, Bush, Clinton, etc. In this battle, style matters, not just content. In this battle, it is absolutely imperative that we remember that it is not only the minds we need to win, but the hearts. At least in terms of the various forms of human communication, there is nothing on Earth more effective in winning hearts than music and art. We ignore or sideline music and art at our peril. It's time to listen to the music.
